Gobbledygeek episode 335, “Annihilation: For Those That Follow,” is available for listening or download right here and on iTunes here.
Self-destruction. Division. Separation. Annihilation. These are the frivolous, lighthearted concerns of Alex Garland’s latest film, a mind-expanding sci-fi trip that finds Natalie Portman, Jennifer Jason Leigh, Tessa Thompson, Gina Rodriguez, and Tuva Novotny exploring “Area X,” a mutated piece of land encompassed by the full-on-double-rainbow-all-the-way that is the Shimmer. What’s going on here? What’s causing it? Does an answer even matter? Paul and Arlo dig into Annihilation’s writhing, metastasizing guts to discuss the beautiful, macabre work of production designer Matt Digby; the organic/electronic discomfit of Geoff Barrow and Ben Salisbury’s score; how Garland’s approach intentionally places the viewer at a distance; and that goddamn bear. Plus, Paul watched something called the Olympics; Arlo wants to help The Breadwinner make some dough; and Paul gives Arlo shit, what else is new.
Next: the episode we teased last week! For a musical Geek Challenge, Arlo must watch Kenn Anakin’s 1982 “classic” The Pirate Movie and Paul must endure Jacques Demy’s 1967 classic (no quotation marks necessary) The Young Girls of Rochefort.
(Show notes for “For Those That Follow.”)
Gobbledygeek episode 106, “The Olympics of Gay Chicken, Superheroes, and Furbys,” is available for listening or download right here.
The dog days of summer have arrived, and with them even less of a sense of purpose and direction than our hosts usually display. So they babble on about a variety of topics: Chick-fil-A’s rampant homophobia (which accounts for the annual violation of their “No Politics” rule!), Olympics spoilerphobia, the forthcoming Marvel NOW! relaunch, and the return of the Furby, among other things.
Next: again, who knows, Paul and AJ’s brains are fried.
(Show notes for “The Olympics of Gay Chicken, Superheroes, and Furbys.”)
Welcome to week 6 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, and 5.
AJ: A lot happens in this volume, and there’s a lot to talk about, but I’m going to start off with perhaps the least important storyline because I don’t want to forget to bring it up…what the fuck happened to Arseface at the end?! His “furruh uhzmuhyuh,” the arsefaced paradise, his Dad appearing to him and apologizing–was that like the most surreal depiction of suicide ever, or…?
Paul: Unfortunately(?), you’re not gonna get any more on that. The Arseface story is…a little hard to put my finger on. To be honest, though it does have a conclusion, I’m not 100% sure I could tell you what it all ultimately means. Which is why I keep saying, for all intents and purposes you could really just ignore it and hope it goes away.
But to answer your question, I’m pretty sure Ennis wrote that bit while on peyote.