What happens when a regularly scheduled episode gets regularly postponed? A freestyle, that’s what! In lieu of talking about The Americans season 3, Paul and Arlo talk about…well, whatever the fuck they want to talk about. Paul’s angry, Arlo’s drunk, it’s an angry drunken ramble! “Topics” of “discussion” include dumb reality shows like Clash of Cones, the intrinsic value (or lack thereof) in a star rating system, how disappointing the new Lorde album is, and whether or not the boys are actually going to see each other in person this year.
NEXT: The Americans season 3 with Wesley Mead? Maybe?
Gobbledygeek episode 352, “Thor Visionaries: Walter Simonson – Vol. 1,” is available for listening or download right here and on iTunes here.
Far beyond the fields we know, SyfyWire.com contributing editor Matthew Jackson joins Paul and Arlo for another installment of this year’s superheroic Four-Color Flashback. This time, they venture to the land of Asgard on their loyal steeds to discuss Thor Visionaries: Walter Simonson – Vol. 1. Simonson’s legendary run defined many cornerstones of Marvel’s Thor Odinson, from the deep ties to Norse mythology to the doing away of mortal identity Donald Blake. The gang discusses why his run is so definitive, Simonson’s vibrant art, his long-game storytelling, what makes Beta Ray Bill so cool, and the deadliness of McBurgers. Plus, The Big Bang Theory is finally ending, Veronica Mars is finally coming back, and Paul is Forged in Fire.
Next: we’ll be back! At some point! We’re working on a book, kids!
Gobbledygeek episode 294, “The D-List (feat. Donora Hillard),” is available for listening or download right here and on iTunes here.
Live from Denny’s, it’s Donora Hillard! The Jeff Bridges poet returns to talk about…pretty much everything with Paul and Arlo. While enjoying late-night diner ambiance, the gang discusses driving and the anxiety it causes; dance, of the So You Think You Can variety (featuring, upon special request, a rendition of Paul’s classic Black Swan diatribe); tiny houses, one of which Donora owns; and what’s in everyone’s bags (Arlo’s answers will amaze you). Plus David Lynch, Bunheads, arrested development (neither the rap group nor the television series)…everything.
Next: the boys take their penultimate trip to the hellish world of Matt Wagner’s Grendel as this year’s Four-Color Flashback nears its close, with a look at “God and the Devil, Part 2,” collected in Grendel Omnibus: Vol. 3 – Orion’s Reign.
Last week, we brought you our favorite movies of last year (finally saw Inside Llewyn Davis, by the way, and yes, it would have made the cut). This week, we change channels to focus on TV. We’re doing things a little differently this time out, with separate top 10 lists for new shows and returning favorites. Though there were a lot of new shows I enjoyed over the past year, I’ll admit I couldn’t stretch them to 10; instead, I’ve got 8, while Paul’s just crazy enough to have a full 10.
As always, there are shows we couldn’t get around to: I haven’t seen Rectify, Top of the Lake, Broadchurch, or The Wrong Mans, all of which I’d hoped to see in time for this list. Oh, and to absolve him of all guilt, I should mention that Paul has never seen Breaking Bad. Wait, I don’t think that absolves him.
PAUL: 10. HANNIBAL (NBC)
I wasn’t particularly interested in a television adaptation of the Thomas Harris characters. But names like Hugh Dancy, Mads Mikkelsen, and Bryan Fuller pulled me in. It’s one of the most visually stunning and hauntingly…haunting shows ever to make it to network television. It’s also one of the most shockingly violent and grotesque. All positives in my book. But I can’t put it any higher on my list because it’s crushingly depressing.
Okay, let’s get this out of the way right up front: Sucker Punch is not a perfect film. God knows there are enough righteous film critics and internet ass hats falling all over themselves to be the one to find the snarkiest, most condescending way to tell you as much. To listen to the vocal majority you’d think this film is the final herald of the Apocalypse. Yes, there are flaws, I’m not gonna lie. But despite the uneven script and occasionally insipid dialogue, I pretty much LOVE this movie. And I’m gonna tell you why.