Four-Color Flashback: ‘Preacher: Vol. 7 – Salvation’

Welcome to week 7 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, and 6.

Paul: So this volume, Salvation, is kind of an intermission in the main story. We get to see what kind of man Jesse is removed from the quest and his group of friends. And as it turns out he’s just as much the Big Damn Hero in this smaller setting as when he’s hunting down God and facing off with saints and lunatics.

How did you feel about this step back from the bigger picture?

AJ: I loved it. It’s impressive how much I enjoyed Jesse’s exploits away from Cassidy, Tulip, Herr Starr, etc. It took me a second to realize that we weren’t going to see most of our old friends (excepting Jesse’s vision quest near the end), but once I adjusted to that, I found Salvation to be one of the most satisfying volumes yet.

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On DVD & Blu-ray, 7/19/11: ‘Peep World,’ ‘Boyz n the Hood,’ More

PEEP WORLD (DVD/Blu-ray)

How come TV actors so rarely get a break on the big screen? The general consensus seems to be that we’ve moved beyond the age of the Movie Star–just look at how little anyone cared about Tom Hanks and Julia Roberts’ Larry Crowne–so why is it still so hard for TV actors to make great movies? Take a look at Peep World. You’ve got Michael C. Hall, who’s given stunning performances on Six Feet Under and Dexter; this man should be working with A-list directors, but instead he makes stuff like Gamer. You’ve got the trifecta of Rainn Wilson, Judy Greer, and Sarah Silverman, all of whom have done very funny work on television. The closest any of them get to cinematic greatness is Wilson’s bit part in Juno. TV’s time-consuming, I know. But when you look at a mess like Peep World, you wonder how so many talented TV people got thrown into such a bad movie. In a way, it reminds me of The Great New Wonderful, an awful movie that inexplicably starred Edie Falco, Will Arnett, Jim Gaffigan, Tony Shalhoub, and Stephen Colbert. Peep World isn’t nearly as bad, but its story of an oh so dysfunctional family feels like an unpleasant tenth-generation copy of The Royal Tenenbaums. It has no style, little wit, and the narrative is all a-shambles. With this many talented actors involved, there are bound to be some effective moments, and there are. But if a filmmaker with respect for and knowledge of the medium had been given the same budget and the same cast, something special could have happened. Extras include deleted scenes and a theatrical trailer. 

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