Jennifer Garner in Gary Winick’s ’13 Going on 30′ (2004). Her face upon realizing she has boobs has become humanity’s face upon awakening each morning.
Gobbledygeek episode 399, “Disclaimer: Not a Criminal Act,” is available for listening or download right here and on iTunes here.
FIRST THING’S FIRST: Paul obliquely confesses a past sin during this episode, it’s kind of a super tense moment, but Arlo has cleared off-mic that it was not a criminal act! So…do with that what you will! Elsewhere, the world is fucking ending, so you might as well watch The End of the Fucking World. Paul and Arlo muse on the collapse of civilization, discuss proper social distancing etiquette, and recommend things to watch and read as society dissolves. Some of those recommendations: The Hunt, now available on VOD since movie theaters have shuttered; comfy junk food movies like Yes Man and Ghosts of Girlfriends Past; Netflix’s I Am Not Okay with This; Hawkeye: Freefall by Matthew Rosenberg and Otto Schmidt; Matt Fraction and Steve Lieber’s uproarious Superman’s Pal Jimmy Olsen; and, of course, perennial classic Good Burger.
Next: Ten years. 400 episodes. It’s all led to this. It’s a shame we’re all dying.
Total Run Time: 02:08:53
- 00:00:46 – Random thoughts on the end of the world
- 00:59:30 – Paul interrupts the flow to obliquely confess a past sin
- 01:13:00 – What to watch / read as we slowly go mad and die alone
- 02:02:26 – Outro / Next
- “Doom Days” by Bastille, Doom Days (2019)
- “Make Art Not Friends” by Sturgill Simpson, SOUND & FURY (2019)
Gobbledygeek episode 329, “Black Mirror: Shattered Reflections (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Ladies and gentlemen, we are through the tweeting glass. First-time guest Sarah Kosheff joins Paul and Arlo to discuss Charlie Brooker’s sci-fi anthology series Black Mirror in general, and the new fourth season in particular. The gang discusses how the series explores the intersection of technology and society, if the “what if phones but too much” line of criticism is reductive, if the idea of a Black Mirror “shared universe” is in any way appealing, and more. Plus, Paul meets The Greatest Showman, Arlo and Sarah marvel at The Shape of Water, and Arlo finally puts Paul in his mouth.
Next: famed Briton Wesley “Wezzo” Mead stops by once again to discuss Chris Carter’s seminal sci-fi series The X-Files. This time, the gang will discuss season 7.
(Show notes for “Shattered Reflections.”)
Gobbledygeek episode 319, “War for the Planet of the Apes: War for the Podcast of the Primates (feat. Kenn Edwards),” is available for listening or download right here and on iTunes here.
War for the Planet of the Apes! Huh! Who is it good for? The answer would be cinephiles searching for an intelligent, emotionally and politically resonant blockbuster. Welcome to Paradise’s Kenn Edwards joins Paul and Arlo to discuss Matt Reeves’ final installment in the so-called “Caesar Cycle,” which may be the bleakest monkey movie in history. (Also, they’re not monkeys. Just ask Arlo’s fiancée.) The gang delves into the genius of the film’s visual effects, Andy Serkis’ Oscar-worthy performance, the Apocalypse Now riffs, and how or if these films tie into the original Planet of the Apes series. Plus, Kenn finds a new way to watch Jaws, Paul comes down with The Big Sick, the Doctor is a lady, and the gang commemorates George Romero and Martin Landau.
Next: Christopher Nolan goes to war sans apes with Dunkirk.
(Show notes for “War for the Podcast of the Primates.”)
Gobbledygeek episode 318, “Spider-Man: Homecoming – She Bought Me a Churro (feat. Heather Wiley),” is available for listening and download right here and on iTunes here.
It’s a Wiley whammy as first-time guest Heather Wiley joins Gobbledygeek’s very own Arlo Wiley in teaming up to finally take down Paul. Actually, this is a pretty convivial episode, as all three agree that Spider-Man: Homecoming is not only one of the better Spider-Man movies–some on this podcast would venture to call it the best–but one of the better entries in the Marvel Cinematic Universe thus far. The gang discusses why that is: the familiar yet fresh take on our friendly neighborhood webhead, an effortless mix of comedy and drama, a believable villain who doesn’t want to shoot giant beams of light into the sky, genuine Queens-like diversity, and killer turns from Tom Holland and Michael Keaton. Plus, Paul conducted a Mozart in the Jungle binge, Arlo got together with Crazy Ex-Girlfriend, and Heather tries to piece together if she and Arlo are indeed blood relatives.
Next: War for the Planet of the Apes is hell.
(Show notes for “Spider-Man: Homecoming – She Bought Me a Churro.”)
HOBO WITH A SHOTGUN (DVD/Two-Disc Collector’s Edition DVD/Collector’s Edition Blu-ray & Digital)
Hobo with a Shotgun is the feature-length adaptation of a contest-winning faux trailer shown with some Canadian prints of 2007’s Grindhouse; I haven’t seen the trailer, but maybe this stuff was amusing at two-and-a-half minutes. At 86 minutes, it is grim, nasty, and joyless. In aping the sleazoid vigilante flicks of the 70’s, I’m sure that was the intent of director/co-writer Jason Eisener. But that doesn’t mean I have to like it. Look, Planet Terror is great because it’s a well-crafted, old school adrenaline-pumper; Death Proof is great because it subverts grindhouse tropes while still managing to celebrate them. Both of them have moments of shocking violence, but they’re both clearly heartfelt love letters to the movies of Robert Rodriguez and Quentin Tarantino’s childhoods. Hobo with a Shotgun feels like their obnoxious little shit of a brother who’s trying to outdo them at every turn, in effect making himself look all the more pathetic. There’s not much fun here. What there is, is a lot of sadism and stupidity. If that’s your thing, by all means, but I’ll be slowly backing away now. Extras on the Collector’s Edition (because apparently making less than $1 million at the box office warranted such a thing) include a making-of doc; a behind-the-scenes interactive mode; an alternate ending; deleted scenes; vlogs; an HDNet featurette; the original trailer; TV spots; theatrical trailers; commentary with Eisener and star Rutger Hauer; and another commentary with Eisener, producer Rob Cotteril, co-writer John Davies, and original hobo David Brunt.
(Originally reviewed by me in “Wow.”)
Director: Robert Luketic
Writers: Bob DeRosa and Ted Griffin, based on a story by DeRosa
After 2004’s The Butterfly Effect, I swore off Ashton Kutcher movies. Now, of all the terrible actors in all the movies in all the world, there are many worse than Kutcher. Rob Schneider, for instance. I’ve successfully avoided Schneider’s films for three years, or eight if you discount the many bizarre cameo appearances he makes in Adam Sandler comedies. Why did I swear off Kutcher, then? He’s certainly more talented than Schneider, exuding at least a slight hint of prettyboy charm. It’s because there is no reality in which I can conceive of Kutcher doing something interesting. He just doesn’t have it in him. He’s not interesting to watch, he never has anything interesting to say, and his status as the second most-followed person on Twitter–trailing, of all people, Britney Spears–is merely indicative of the fact that even hip social media sites fall prey to old prom king-type popularity contests.