Listen to Gobbledygeek Episode 466 – “Our Flag Means Death”

Taika Waititi and Rhys Darby in Our Flag Means Death (2022), created by David Jenkins

Gobbledygeek episode 466, “Our Flag Means Death,” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Weigh anchor and hoist the mizzen! Paul and Arlo set sail for a discussion of David Jenkins’ pirate rom-com Our Flag Means Death. The new HBO Max series, a very loose telling of the history between Stede “The Gentleman Pirate” Bonnet and Edward “Blackbeard” Teach, begins as a silly romp very much in the vein of executive producer/star Taika Waititi’s other work. And then…well, it becomes something very much more, depicting a number of queer romances in positive, affirming fashion. The boys discuss this shouldn’t-be-shocking-in-2022 level of representation, the chemistry between Rhys Darby and Waititi, how closely (or not) the show follows the historical record, the series’ moral of not accepting that the way things are is the way they have to be, and more. Plus, up in the sky! It’s a bird, it’s a plane, Arlo is reading old Superman comics!

NEXT: reply hazy, try again.

BREAKDOWN

  • 00:00:47  –  Intro / Banter
  • 00:18:30  –  Our Flag Means Death
  • 01:36:26  –  Outro / Next

LINKS

MUSIC

  • “Perfect Day” by Lou Reed, Transformer (1972)
  • “Miles from Nowhere” by Cat Stevens, Tea for the Tillerman (1970)

GOBBLEDYCARES

Listen to Gobbledygeek Episode 399 – “Disclaimer: Not a Criminal Act”

Jennifer Garner in Gary Winick’s ’13 Going on 30′ (2004). Her face upon realizing she has boobs has become humanity’s face upon awakening each morning.

Gobbledygeek episode 399, “Disclaimer: Not a Criminal Act,” is available for listening or download right here and on iTunes here.

FIRST THING’S FIRST: Paul obliquely confesses a past sin during this episode, it’s kind of a super tense moment, but Arlo has cleared off-mic that it was not a criminal act! So…do with that what you will! Elsewhere, the world is fucking ending, so you might as well watch The End of the Fucking World. Paul and Arlo muse on the collapse of civilization, discuss proper social distancing etiquette, and recommend things to watch and read as society dissolves. Some of those recommendations: The Hunt, now available on VOD since movie theaters have shuttered; comfy junk food movies like Yes Man and Ghosts of Girlfriends Past; Netflix’s I Am Not Okay with This; Hawkeye: Freefall by Matthew Rosenberg and Otto Schmidt; Matt Fraction and Steve Lieber’s uproarious Superman’s Pal Jimmy Olsen; and, of course, perennial classic Good Burger.

Next: Ten years. 400 episodes. It’s all led to this. It’s a shame we’re all dying.

THE BREAKDOWN

Total Run Time: 02:08:53

  • 00:00:46  –  Random thoughts on the end of the world
  • 00:59:30  –  Paul interrupts the flow to obliquely confess a past sin
  • 01:13:00  –  What to watch / read as we slowly go mad and die alone
  • 02:02:26  –  Outro / Next

THE MUSIC

  • “Doom Days” by Bastille, Doom Days (2019)
  • “Make Art Not Friends” by Sturgill Simpson, SOUND & FURY (2019)

Movie Review: ‘Killers’

Director: Robert Luketic
Writers: Bob DeRosa and Ted Griffin, based on a story by DeRosa

After 2004’s The Butterfly Effect, I swore off Ashton Kutcher movies. Now, of all the terrible actors in all the movies in all the world, there are many worse than Kutcher. Rob Schneider, for instance. I’ve successfully avoided Schneider’s films for three years, or eight if you discount the many bizarre cameo appearances he makes in Adam Sandler comedies. Why did I swear off Kutcher, then? He’s certainly more talented than Schneider, exuding at least a slight hint of prettyboy charm. It’s because there is no reality in which I can conceive of Kutcher doing something interesting. He just doesn’t have it in him. He’s not interesting to watch, he never has anything interesting to say, and his status as the second most-followed person on Twitter–trailing, of all people, Britney Spears–is merely indicative of the fact that even hip social media sites fall prey to old prom king-type popularity contests.

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