Listen to Gobbledygeek Episode 490 – “Guillermo del Toro’s Pinocchio”

Pinocchio fan poster by Aleks Phoenix (IG: aleks_phoenix)

Gobbledygeek episode 490, “Guillermo del Toro’s Pinocchio” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Is that a tree branch on your face, or are you just lying to me? An extra-long Gobbledygeek season finale takes root with a discussion of Guillermo del Toro and Mark Gustafson’s new stop-motion adaptation of Pinocchio. Paul and Arlo discuss the numerous ways del Toro has made Carlo Collodi’s immortal tale his own, chiefly by making it a study of mortality–oh, and fascism too. The boys rave about Ewan McGregor’s take on the Cricket, the awe-inspiring puppetry and animation on display, and Arlo’s pot-addled epiphany. Plus, tributes to Angelo Badalamenti and Stephen ‘tWitch’ Boss, as well as a look at the Spider-Man: Across the Spider-Verse trailer.

NEXT: happy holidays, y’all. We’ll be back in 2023.

BREAKDOWN

  • 00:00:45  –  Intro
  • 00:17:18  –  Guillermo del Toro’s Pinocchio
  • 02:10:16  –  Our brief, incomplete list of Best of 2022
  • 02:33:17  –  Outro / Next

LINKS

MUSIC

  • “Twin Peaks Theme” by Angelo Badalamenti, Soundtrack from Twin Peaks (1990)
  • “Big Baby Il Duce March” by Gregory Mann, Pinocchio (Soundtrack from the Netflix Film) (2022)

GOBBLEDYCARES

Top 100 Characters in Modern Pop Culture #60-51

Last week, Paul and I reached the halfway mark of our countdown of the Top 100 Characters in Modern Pop Culture. Here are excerpts of our thoughts on our picks for #s 60-51, but be sure to listen to the show for our full rundowns.

#60

PAUL: Vincent (Beauty and the Beast)

Speaking with a gruff but gentle whisper and all but hidden beneath an impressive leonine Rick Baker prosthesis (which didn’t, but absolutely should have, won awards), Perlman was the very definition of Romantic-with-a-capital-R misunderstood emo monster heroes for a generation.

AJ: John Locke (Lost)

His regained ability to walk gave him a new lease on life, and he looked at the island as a beautiful, supernatural force. He refused to leave, and tried to get the rest of the group to stay as well, believing them to be there for a greater purpose. The constant push-and-pull between Jack, the man of science, and Locke, the man of faith, became the series’ core thematic conflict.

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