Listen to ‘Gobbledygeek’ Episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff)”

Gobbledygeek episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.

Come on in; the water’s fine. Sarah Kosheff joins Paul and Arlo to discuss Guillermo del Toro’s The Shape of Water, freshly nominated for 13 Academy Awards. Del Toro’s girl-meets-fish romance is one of last year’s most ravishing, visually sumptuous films, and the gang discusses why exactly that is. (Spoiler: they don’t all quite agree.) Topics of discussion include Sally Hawkins’ and Doug Jones’ tremendous wordless performances; Alexandre Desplat’s beautiful score, and how music is an important mode of communication in the film; the importance of color, specifically green; and how the film is, in del Toro’s own words, about the “beauty of the other.” Plus, Paul has joined MoviePass just in time for it to come under intense scrutiny.

Next: Paul just wouldn’t shut up about The Greatest Showman, so first-time guest Nathan Curtiss will be joining the boys to discuss the Hugh Jackman-starring musical.

(Show notes for “Green Around the Gills.”)

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Listen to ‘Gobbledygeek’ Episode 329, “Black Mirror: Shattered Reflections (feat. Sarah Kosheff)”

Gobbledygeek episode 329, “Black Mirror: Shattered Reflections (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.

Ladies and gentlemen, we are through the tweeting glass. First-time guest Sarah Kosheff joins Paul and Arlo to discuss Charlie Brooker’s sci-fi anthology series Black Mirror in general, and the new fourth season in particular. The gang discusses how the series explores the intersection of technology and society, if the “what if phones but too much” line of criticism is reductive, if the idea of a Black Mirror “shared universe” is in any way appealing, and more. Plus, Paul meets The Greatest Showman, Arlo and Sarah marvel at The Shape of Water, and Arlo finally puts Paul in his mouth.

Next: famed Briton Wesley “Wezzo” Mead stops by once again to discuss Chris Carter’s seminal sci-fi series The X-Files. This time, the gang will discuss season 7.

(Show notes for “Shattered Reflections.”)

Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

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The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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