Paul and Arlo are going slightly mad. Doctor Strange in the Multiverse of Madness is the MCU’s latest trip through the titular multiverse, fracturing and reshaping reality to meet the franchise’s corporate needs. If that sounds a little unenthused, well, what can we say? The boys didn’t love this one. Paul, ever the optimist, discusses why the MCU’s depiction of sorcery continues to be one of its greatest assets. Arlo, ever the cynic, expresses appreciation of Sam Raimi’s trademark flourishes before lamenting that they’re all recycled riffs. Along the way, they discuss the film’s odd function as a WandaVision sequel, whether punching star-shaped holes in the universe is good goofy or bad goofy, those weird fucking kids, and more.
NEXT: more madness.
00:00:34 – Awkward Intro
00:03:33 – Doctor Strange in the Multiverse of Madness (Spoiler-free)
00:21:15 – SPOILERS!!!
01:50:40 – Outro / Next
“I’m Going Slightly Mad” by Queen, Innuendo (1991)
“X-Men Theme” by Florian Haack, X-Men Theme (Single) (2018)
Gobbledygeek episode 334, “Black Panther: Hail to the King, Baby! (feat. Phaicia McBride),” is available for listening or download right here and on iTunes here.
First-time guest Phaicia “Fe” McBride joins Paul and Arlo as they take a direct flight to the African utopia of Wakanda, courtesy of Ryan Coogler’s Black Panther. King T’Challa’s first feature film marks the 18th entry in the Marvel Cinematic Universe; it also marks a long overdue watershed moment for mainstream black culture. The gang discusses why Black Panther is so important and exciting; how the film takes the MCU in exciting new directions, particularly with its nuanced villain; how rare and wonderful it is to see so many female characters with agency, skill, and personality; why Ludwig Goransson’s score (and Kendrick Lamar’s soundtrack, at least according to Arlo) is a true sonic statement; and how some of the fight sequences bring to mind Sam Raimi’s Spider-Man. Plus, Arlo’s obsessed with a bizarre lo-fi mobile game called InstLife; and Paul goes full steampunk ahead with Batman: Gotham by Gaslight.
Next: despite what they say at the end of the episode, Paul and Arlo are actually getting ready for Annihilation.
Gobbledygeek episode 257, “Five Bucks to See the Dancing Freak,” is available for listening or download right here, and on iTunes here.
Why talk about a mega-blockbuster sure to be seen by every casual movie fan on the planet when you can talk about a Sam Raimi deep cut from a quarter-century ago? In belated celebration of the 25th anniversary of Raimi’s first superhero movie, 1990’s Liam Neeson-starring Darkman, Paul and AJ take the fucking elephant, getting down and dirty with the film’s idiosyncrasies. Including the question: what draws AJ to those idiosyncrasies, and what keeps Paul at arm’s length? The boys discuss auteurism, artifice, a superhero’s moral code, and much more.
Next: a long time ago, in a galaxy far, far away, Kenn Edwards and Andrew Allen join us to discuss the Star Wars saga.
Gobbledygeek episode 70, “Join Us,” is available for listening or download right here.
This week, we get sad and silly. First, the boys say goodbye to Apple founder and tech visionary Steve Jobs. Then, to keep anyone from taking them too seriously, they kick off this year’s Gobbledygeek Halloween (Gobbledy’ween?) Film Festival with a ribald discussion of the Sam Raimi classic The Evil Dead. Also: AJ reviews the Wasikowska/Fassbender interpretation of Jane Eyre; Paul hints at what you can probably expect from the review of the Ethan Gilsdorf book Fantasy Freaks and Gaming Geeks he’s bound to do someday; and a slew of Formspring questions.
Yep, here it is. This is the film that either destroyed any remnants of geek cred I may ever have had, or proved what a brilliant film viewer I really am. Why, you ask? Because, damn it, I liked this Zack Snyder joint. Ostensibly the story of Baby Doll (Emily Browning), an abused young woman put into an institution by her father and scheduled for a lobotomy, who travels to deeper and deeper levels of consciousness on an anime/video game/comic book-inspired quest to free herself and her fellow inmates. Pretty young things in barely-there clothing battling giant robot samurai, fire-breathing dragons, and steam-powered zombie Nazis. Given only that premise, and taking into account Snyder’s penchant for phantasmagoric, speed-ramped action sequences, this could have been a beautiful but vapid piece of hormone and adrenaline-fueled cinematic trash. But, as I infamously explained here, I believe there is much more to it than that. The Extended Cut features an additional 18 minutes of footage, a picture-in-picture commentary with director Snyder, and has been rated R, up from the theatrical PG-13. – Paul Smith
(Originally reviewed by Paul, and much less favorably by myself, in “Ladylike.”)