Gobbledygeek episode 342, “Captain America and the Falcon: Secret Empire (feat. Ensley F. Guffey),” is available for listening or download right here and on iTunes here.
An American feels betrayed by his government, which has revealed itself to be nothing but a bureaucratic system designed to conceal criminal activity. Sounds familiar, right? It’s also the basis for the superhero classic Captain America and the Falcon: Secret Empire. Steve Englehart, Mike Friedrich, and Sal Buscema’s Nixon-era tale finds Cap on the run from a populace that no longer trusts him. Joining Paul and Arlo for this Four-Color Flashback installment is Wanna Cook? author and Cap superfan Ensley F. Guffey. The gang discusses why a story like this couldn’t be told today, how it’s difficult to understand Watergate’s importance given today’s political climate, the uncomfortable jive-talkin’ racial stereotypes, and why the outrageous cornball of old superhero comics doesn’t dilute its power. Plus, Arlo makes an apology and the gang shares what comics they’ve been reading.
Next: it’s all been leading to this. Avengers: Infinity War.
(Show notes for “Captain America and the Falcon: Secret Empire.”)
Gobbledygeek episode 233, “Sex Class,” is available for listening or download right here, and on iTunes here.
Welcome to sex class. Today, Paul and AJ will be teaching you about the repr–wait, no, sorry, that’s later this season. This week, we’re indulging in a four-color Geek Challenge: AJ must read the run so far of Rick Remender and Wes Craig’s Deadly Class, about a wayward teen boy recruited by a school for assassins in the late ’80s; and Paul must read all ten current issues of Matt Fraction and Chip Zdarsky’s Sex Criminals, in which two lovers stop time when they come. (That one’ll actually teach you a thing or two.) The boys discuss the two Image series, their raw honesty, their radically different yet equally beautiful art styles, and their ridiculously filthy jokes. Plus, there’s talk of films about damaged musicians (Love and Mercy and Kurt Cobain: Montage of Heck) and sentient robots (Ex Machina).
Next: on top of Jurassic World, lookin’ down on creation.
(Show notes for “Sex Class.”)
‘Saga’ art by Fiona Staples.
Last week, we brought you our top 10 films of the year. It was different from past years in that while I still wrote words and words and words, Paul presented his list without comment. He continues that trend with his top 10 comics of 2014. Meanwhile, I’m getting into some unusual territory by admitting that I don’t have a list. Sure, I could have scraped something together, but it wouldn’t have felt right.
I adore comic books–look no further than the year-long Four-Color Flashback series on Neil Gaiman’s The Sandman we just wrapped in December–but this was the year they unfortunately fell by the wayside of my pop culture habits. There are a few reasons: comics are expensive, often going for $2.99, $3.99, or even more for a bundle of 20-25 sheets of paper; reading is a solitary, time-consuming activity which requires laser focus, unlike a lot of movies and TV (I’ll probably get in trouble for that), and this year I chose to devote much more of my reading time to prose; and lately, I’ve grown to prefer sitting down with one-and-done graphic novels or trade paperback collections to only getting a single hit of a story each month.
Then there’s the fact that 2014 was the year I (and Paul, and frenemy of the show Eric Sipple) published a book. I’ve always considered myself a creative person, but actually putting blood, sweat, and tears into finishing a real product available for purchase left me with a lot less free time. Video games were the first casualty–I played the very comics-oriented LEGO Marvel Superheroes for a few days, but that was about it–and then, completely by chance, I noticed comics becoming the second. Which is ironic, considering how heavily indebted The Deli Counter of Justice is to superhero comics.
Gobbledygeek episode 178, “Old Testament, Real Wrath of God Type Stuff,” is available for listening or download right here, and on iTunes here.
A storm is coming. No, for real, a storm is coming and it’s gonna wipe me and you and everyone we know right offa this rock: Darren Aronofsky envisions the great flood of Genesis in mysterious ways with his new film Noah. As portrayed by Russell Crowe, Noah’s, uh, a little bleaker than you might remember from Sunday school, as he is forced to grapple with whether or not to allow humanity to persist. Add in some six-armed rock monsters, glowy fingers, and some insane Fountain-esque visuals…and it’s not what almost anyone would expect from a biblical epic. We’ll tell you if that’s a good thing or not. Plus, Paul and AJ watch the Teenage Mutant Ninja Turtles trailer and talk comics both mainstream (Silver Surfer) and not (Sex Criminals).
Next: though Captain America: The Winter Soldier is in theaters as you read this, because of the way we record, it is not this week’s episode. No matter what that idiot AJ said. So! Next week! Winter Soldier is coming and we are here to talk about it.
(Show notes for “Old Testament, Real Wrath of God Type Stuff.”)