Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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Four-Color Flashback: ‘Preacher: Vol. 1 – Gone to Texas’

Last summer, I started a column entitled Four-Color Flashback, wherein I went through and discussed/analyzed a legendary run of comic books I’d never read. In that case, it was Chris Claremont and John Byrne’s Uncanny X-Men (read the first part here). It was a fun experience, and toward the end of the column, I stated the desire to return to the concept “some time in the next century.” That time is now!

Unlike last year, which was just me rambling on endlessly by myself, this summer, I’m joined by Paul to discuss Garth Ennis and Steve Dillon’s notorious Preacher. Paul is a huge fan, and I’ve never read a single issue, so we’re both bringing different perspectives to the table. The series lasted for 66 issues from 1995 to 2000, and has subsequently been collected in nine trade paperbacks. We’ll be going through them one at a time, starting this week with Preacher: Vol. 1 – Gone to Texas, collecting the series’ first seven issues.

So pull up a chair, do your best John Wayne impression, and enjoy.

(That was me commanding you with the Word.)

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On DVD & Blu-Ray, 6/28/11: ‘Sucker Punch,’ ‘Barney’s Version,’ More

SUCKER PUNCH: Extended Cut (DVD/Blu-ray/Blu-ray, DVD & Digital Combo)

Yep, here it is. This is the film that either destroyed any remnants of geek cred I may ever have had, or proved what a brilliant film viewer I really am. Why, you ask? Because, damn it, I liked this Zack Snyder joint. Ostensibly the story of Baby Doll (Emily Browning), an abused young woman put into an institution by her father and scheduled for a lobotomy, who travels to deeper and deeper levels of consciousness on an anime/video game/comic book-inspired quest to free herself and her fellow inmates. Pretty young things in barely-there clothing battling giant robot samurai, fire-breathing dragons, and steam-powered zombie Nazis. Given only that premise, and taking into account Snyder’s penchant for phantasmagoric, speed-ramped action sequences, this could have been a beautiful but vapid piece of hormone and adrenaline-fueled cinematic trash. But, as I infamously explained here, I believe there is much more to it than that. The Extended Cut features an additional 18 minutes of footage, a picture-in-picture commentary with director Snyder, and has been rated R, up from the theatrical PG-13.  – Paul Smith

(Originally reviewed by Paul, and much less favorably by myself, in “Ladylike.”)

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Top 100 Characters in Modern Pop Culture: #100-91

On Friday’s show, Paul and I began our countdown of the Top 100 Characters in Modern Pop Culture. We’ve each got our own lists, and last night we revealed our respective #s 100-91. Be sure to listen to the show for our full run-down, but here are our picks with excerpts of what we said:

#100

PAUL: The Companion Cube (Portal)

Your weighted Companion Cube is very faithful, never talks back, and will never stab you, but sadly, it doesn’t really get a happy ending. The Companion Cube’s story is, I’m afraid, a tragedy.

AJ: Charlie Pace (Lost)

Charlie started as a one-hit wonder rock star with a heroin addiction, but along with his good friend Hurley, he quickly became the heart of the show.

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GobbledyBLAM! -OR- Holy Freaking Crap, This Scott Pilgrim Trailer Is Awesome

I really just wanted an excuse to post the above picture.

But while I’m at it, HAVE YOU SEEN THIS SCOTT PILGRIM TRAILER?! If not, take two minutes and thirty-three seconds of your pathetic life to watch it right now:

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