Gobbledygeek episode 355, “Gobbledyween: The Witch (feat. Matthew Jackson),” is available for listening or download right here and on iTunes here.
Leaves are on the ground, blood is on the silver screen. It’s time for Gobbledyween. Paul and Arlo’s beloved horror movie festival returns for the first time since 2015, and their opening selection debuted that same year: Robert Eggers’ new cult classic The Witch. Emerging from the wood to terrorize the boys is SyfyWire.com contributing editor Matthew Jackson. The gang discusses the rural dread Eggers exploits, if the film can be read as an empowerment tale, if anything on the screen actually happens, and more. Plus, Paul grooves to synthwave, Jon Favreau gears up for The Mandalorian, Arlo worships Nicolas Cage in Panos Cosmatos’ Mandy, and Spider-Ham makes his screen debut in the new Spider-Man: Into the Spider-Verse trailer.
Next: Gobbledyween continues as filmmaker Jess Byard joins us to take a bite out of Kathryn Bigelow’s Near Dark.
What if Superman was one of us? Just a slob like one of us? Just a stranger baling hay, trying to till his own farm? That’s part of the appeal of Alex Ross and Mark Waid’s Kingdom Come, the subject of our latest superheroic Four-Color Flashback–Ross’ painted artwork brings DC’s pantheon to vivid life. Of course, Superman isn’t one of us. He makes this clear when, after a decade in exile, he descends upon Metropolis to mete out cold hard justice to a new, irresponsible generation of heroes and villains. Kingdom Come was intended as a statement on the Xtreme anti-heroes of the ‘90s, and as its human protagonist Norman McKay witnesses the fantastic devastation around him, the book explores issues of faith and fascism. Paul and Arlo discuss how Ross and Waid’s tale holds up more than 20 years later, how it reconciles the heroes’ godlike power with fragile human will, why it may be Ross’ best work, and its nigh definitive portrait of DC’s Trinity. Plus, Arlo finishes his Disney marathon while catching Pokémon, and we tease a future discussion of Spider-Man PS4.
Next: we switch religions from DC to Marvel as our pal Chance Mazzia joins us to talk Frank Miller and David Mazzucchelli’s Daredevil: Born Again.
Art from ‘Spider-Man: Origin of the Hobgoblin’ by John Romita Jr., John Romita Sr., and Andy Yanchus.
Gobbledygeek episode 350, “Spider-Man: Origin of the Hobgoblin (feat. Jed Waters Keith),” is available for listening or download right here and on iTunes here.
Paul and Arlo continue to swing through this year’s superheroic Four-Color Flashback to discuss Spider-Man: Origin of the Hobgoblin, joined by FreakSugar managing editor Jed Waters Keith. This early ‘80s story, primarily written by Roger Stern and drawn by John Romita Jr., finds Peter Parker faced with the emergence of a horrific new villain in the grotesque figure of the Hobgoblin. Who is this masked man? Who knows! In true Parker fashion, Spidey tries to unmask Hobby while snapping pix for the Bugle and juggling his crazy love life. The gang discusses the convoluted behind-the-scenes drama surrounding the Hobgoblin’s identity, the evolution of JRJr, how Peter Parker is kind of a huge ladies’ man for being such a dork, and more. Plus, Paul attended this year’s Slayage conference, while Arlo and Jed are reading a whole mess o’ comics.
Gobbledygeek episode 346, “Mary Poppins / The Lure: Cartoon Penguins Eat Polish Mermaids, Don’t They?”, is available for listening or download right hereand on iTunes here.
Even with a spoonful of sugar, Paul finds this week’s Geek Challenge hard to stomach. You see, he has invited Arlo to watch Robert Stevenson’s delightful 1964 classic Mary Poppins, in which a magical Julie Andrews and an accented Dick Van Dyke dance their hearts out while unlocking the joy hidden within a stuffy banker. In return, Arlo has forced Paul to endure Agnieszka Smoczynska’s 2015 goth music video The Lure, in which there is little magic but plenty of pain, blood, and desperation as two virginal maneating mermaids come of age. They’re both musicals, they’re both about women, and…that’s about where the similarities end. Some men just like to watch the world burn, and Arlo appears to be one of them. Plus, lots of great trailers; Sense8, Legion, and Westworld broaden sci-fi TV’s horizons; Brian Michael Bendis’ time with Spider-Man comes to an end; and Arlo finally watched Guillermo del Toro’s debut feature Cronos.
Gobbledygeek episode 343, “Avengers: Infinity War – Oh Snap!,” is available for listening or download right here and on iTunes here.
A feat even more miraculous than Paul and Arlo agreeing on the same movie? Successfully juggling a cast of dozens in an interplanetary epic that shakes up the world’s most popular film series. That’s exactly what Joe & Anthony Russo have done with Avengers: Infinity War, a daring space opera that acts as a culmination of a decade’s worth of superheroic blockbusters while taking the Marvel Cinematic Universe in new directions. The boys discuss how (nearly) each character gets their due, why Josh Brolin’s Thanos more than lives up to the hype, and where the MCU goes from here. Plus, Arlo binges the Disney Renaissance and MoviePass takes an unsurprising heel turn.
Next: this year’s Four-Color Flashback continues as Heather Wiley joins Paul and Arlo to discuss Wonder Woman by George Perez: Vol. 1.
Gobbledygeek episode 342, “Captain America and the Falcon: Secret Empire (feat. Ensley F. Guffey),” is available for listening or download right here and on iTunes here.
An American feels betrayed by his government, which has revealed itself to be nothing but a bureaucratic system designed to conceal criminal activity. Sounds familiar, right? It’s also the basis for the superhero classic Captain America and the Falcon: Secret Empire. Steve Englehart, Mike Friedrich, and Sal Buscema’s Nixon-era tale finds Cap on the run from a populace that no longer trusts him. Joining Paul and Arlo for this Four-Color Flashback installment is Wanna Cook? author and Cap superfan Ensley F. Guffey. The gang discusses why a story like this couldn’t be told today, how it’s difficult to understand Watergate’s importance given today’s political climate, the uncomfortable jive-talkin’ racial stereotypes, and why the outrageous cornball of old superhero comics doesn’t dilute its power. Plus, Arlo makes an apology and the gang shares what comics they’ve been reading.
Next: it’s all been leading to this. Avengers: Infinity War.
Gobbledygeek episode 339, “The X-Files: Season 8 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.
This week, Wesley “Wezzo” Mead stops by for more abuse. He joins Paul and Arlo to once again discuss Chris Carter’s seminal sci-fi series The X-Files; this time, the gang talks season 8, the last pre-revival season to feature David Duchovny as a (semi-)regular. They discuss how frustrating it is the show can’t let go of Duchovny when it clearly needs to; why the introduction of Robert Patrick as John Doggett is so strong; how, despite some real stinkers, this is the most consistent the show has been in years; and how Carter & Co. continue to put Scully in boxes that conform to gender stereotypes. Plus, Wezzo has more obscure Netflix recommendations, Paul is obsessed with the forthcoming Spider-Man game for PS4, and–guess what–Arlo ropes Wezzo into discussing politics again.
Next: this year’s Four-Color Flashback gets off to a belated start as Kenn Edwards drops by to discuss Batman: A Death in the Family.