Listen to Gobbledygeek Episode 434 – “The Shorter Stick Up Arlo’s [Bleep]”

Kurt Russell in Escape from New York (1981), directed by John Carpenter

Gobbledygeek episode 434, “The Shorter Stick Up Arlo’s [Bleep],” is available for listening or download right here, on Spotify, and on Apple Podcasts.

This is a freestyle episode, so you better believe Paul and Arlo talk about all manner of goofy shit, but–there’s also kind of a topic too? Look, we make this stuff up as we go along, get that look off your face. Arlo watched John Carpenter’s 1981 cult classic Escape from New York for the very first time, and he absolutely loved it. He and Paul rave about the movie, its highly relatable cynicism, and its amazing music…which leads Arlo to proffer a shocking apology. The stick up his ass, it’s gotten a little shorter over the years. Plus, an in-depth breakdown of This Is Us’ timeline and an exploration of why roasts suck. Sponsored by the adult toy purveyor of your choice!

NEXT: indie filmmaker Austin Allan James joins us to discuss his debut feature, Who’s With Me?

MUSIC

  • “Escape from New York (Main Title)” by John Carpenter, Escape from New York (Original Film Soundtrack) (1981)
  • “Bandstand Boogie” by Les Elgart (1954)

GOBBLEDYCARES

Listen to ‘Gobbledygeek’ Episode 334, “Black Panther: Hail to the King, Baby! (feat. Phaicia McBride)”

Gobbledygeek episode 334, “Black Panther: Hail to the King, Baby! (feat. Phaicia McBride),” is available for listening or download right here and on iTunes here.

First-time guest Phaicia “Fe” McBride joins Paul and Arlo as they take a direct flight to the African utopia of Wakanda, courtesy of Ryan Coogler’s Black Panther. King T’Challa’s first feature film marks the 18th entry in the Marvel Cinematic Universe; it also marks a long overdue watershed moment for mainstream black culture. The gang discusses why Black Panther is so important and exciting; how the film takes the MCU in exciting new directions, particularly with its nuanced villain; how rare and wonderful it is to see so many female characters with agency, skill, and personality; why Ludwig Goransson’s score (and Kendrick Lamar’s soundtrack, at least according to Arlo) is a true sonic statement; and how some of the fight sequences bring to mind Sam Raimi’s Spider-Man. Plus, Arlo’s obsessed with a bizarre lo-fi mobile game called InstLife; and Paul goes full steampunk ahead with Batman: Gotham by Gaslight.

Next: despite what they say at the end of the episode, Paul and Arlo are actually getting ready for Annihilation.

(Show notes for “Hail to the King, Baby!”)