Listen to ‘Gobbledygeek’ Episode 325, “Y: The Last Man – Vol. 8: Kimono Dragons (feat. Chance Mazzia)”

Art from ‘Y: The Last Man – Vol. 8: Kimono Dragons’ by Pia Guerra, Jose Marzan Jr., Zylonol, and Clem Robins.

Gobbledygeek episode 325, “Y: The Last Man – Vol. 8: Kimono Dragons (feat. Chance Mazzia),” is available for listening or download right here and on iTunes here.

This week, Paul and Arlo return to their Four-Color Flashback exploration of Brian K. Vaughan and Pia Guerra’s Y: The Last Man with Vol. 8: Kimono Dragons. Joining them for the first time in a while is once and future 90 700 Club host Chance Mazzia. Frustrated by some of the detours this Japanese misadventure takes, the gang gets around to asking the question that’s hung over this entire FCF series: nearly a decade removed from publication, is Y: The Last Man still as great as they thought it was? To find the answer, they discuss Vaughan’s writing style, how each volume reads compared to the whole, and what if anything Y contributed to the evolution of the comics medium. Plus, Justice League arrives in theaters (leading to a breakthrough in Paul and Arlo’s relationship), the Avengers assemble for the Infinity War trailer, and Arlo is delighted by The Marvelous Mrs. Maisel.

Next: the Geek Challenge rides again, with a retro kick. Paul will force Arlo to watch Joe Johnston’s 1991 superhero cult classic The Rocketeer, and Arlo will force Paul to watch Gary Ross’ colorful 1998 film Pleasantville.

(Show notes for “Y: The Last Man – Vol. 8: Kimono Dragons.”)

Advertisements

Listen to ‘Gobbledygeek’ Episode 220, “Bone: Vol. I – Out from Boneville”

Bone-1

Art from ‘Bone’ by Jeff Smith.

Gobbledygeek episode 220, “Bone: Vol. I – Out from Boneville,” is available for listening or download right here, and on iTunes here.

After spending 2014 weaving their way through the many different stories of Neil Gaiman’s The Sandman, Paul and AJ have settled on something which appears much simpler for this year’s Four-Color Flashback: Jeff Smith’s Bone. Appearances can be deceiving, though. The boys have heard tell that Smith’s cartoony magnum opus, taking obvious inspiration from Walt Kelly and Carl Barks’ comic strips, grows into a complex, sprawling epic. And even in Vol. I: Out from Boneville, wherein Fone Bone, Phoney Bone, and Smiley Bone find themselves in a strange new land, there are inklings of the high fantasy to come. Plus, the boys discuss friend of the show Kenn Edwards’ short film The Joke, attempt to break down Tina Fey and Robert Carlock’s new Netflix show Unbreakable Kimmy Schmidt, and prepare to enter the Age of Ultron with a new trailer.

Next: Eric Sipple stops by to chat. This won’t end well.

(Show notes for “Bone: Vol. I – Out from Boneville.”)

Listen to Episode 205, “I Have Obligations to My Employer! (feat. Kenn Edwards & Joseph Lewis)”

shining

Gobbledygeek episode 205, “I Have Obligations to My Employer! (feat. Kenn Edwards & Joseph Lewis),” is available for listening or download right here, and on iTunes here.

Smoke Gets in Your Ears: A Mad Men Podcast co-hosts Kenn Edwards and Joseph Lewis check in to Gobbledyween 2014 to talk The Shining with Paul and AJ. A large part of the conversation revolves around a question you may not have asked about Stanley Kubrick’s 1980 Stephen King adaptation: is it supposed to be funny? AJ’s not sure and has mixed feelings on the overbearing synth score and lack of subtlety, while Joe argues it’s really a darkly hilarious domestic comedy. Other points of discussion include how supernatural the film is or isn’t, how to read the ending, and the insane fan theory documentary Room 237. Plus, the gang offers thoughts on The Avengers: Age of Ultron trailer and raves about the podcast Serial.

Next: Gobbledyween comes to a close for another year as Greg Sahadachny of The Debatable Podcast stops by to discuss Killer Klowns from Outer Space.

(Show notes for “I Have Obligations to My Employer!”)

Listen to Episode 199, “#TurtleGate (feat. Nathan Burdette)”

turtlepower2

Gobbledygeek episode 199, “#TurtleGate (feat. Nathan Burdette),” is available for listening or download right here, and on iTunes here.

For the first time in a very long time, Paul and AJ are joined by On the Rocks co-host (and AJ’s cousin) Nathan Burdette. This time, there’s no main topic; the boys have a hodgepodge of recent pop culture developments to discuss, including Paul and AJ’s fundamental disagreement over whether this episode actually has a main topic. Exciting! The gang gets started talking about the new claims that Jack the Ripper has been unmasked, before AJ proffers a public apology to Anna Kendrick. Then they take a gander at trade show art of the Vision as he appears in The Avengers: Age of Ultron. This leads to two larger subjects: the new documentary Turtle Power: The Definitive History of the Teenage Mutant Ninja Turtles and the ill-advised #GamerGate.

Next: here it is, ladies and gentlemen. We’ve hit the magic number 200. That’s right, two hundred episodes of Paul and AJ blathering on about nothing in particular. To celebrate, we’ve invited our good friend Greg Sahadachny of The Debatable Podcast to take the reins, interviewing the boys about life, the universe, and everything.

(Show notes for “#TurtleGate.”)

Paul & AJ’s Top 10 New & Returning TV Series of 2013

Last week, we brought you our favorite movies of last year (finally saw Inside Llewyn Davis, by the way, and yes, it would have made the cut). This week, we change channels to focus on TV. We’re doing things a little differently this time out, with separate top 10 lists for new shows and returning favorites. Though there were a lot of new shows I enjoyed over the past year, I’ll admit I couldn’t stretch them to 10; instead, I’ve got 8, while Paul’s just crazy enough to have a full 10.

As always, there are shows we couldn’t get around to: I haven’t seen Rectify, Top of the Lake, Broadchurch, or The Wrong Mans, all of which I’d hoped to see in time for this list. Oh, and to absolve him of all guilt, I should mention that Paul has never seen Breaking Bad. Wait, I don’t think that absolves him.

NEW SERIES

PAUL: 10. HANNIBAL (NBC)

hannibal

I wasn’t particularly interested in a television adaptation of the Thomas Harris characters. But names like Hugh Dancy, Mads Mikkelsen, and Bryan Fuller pulled me in. It’s one of the most visually stunning and hauntingly…haunting shows ever to make it to network television. It’s also one of the most shockingly violent and grotesque. All positives in my book. But I can’t put it any higher on my list because it’s crushingly depressing.

Continue reading

Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

Continue reading

Paul & AJ’s Top 10 Films of 2012

Last week, we discussed our favorite TV series of the last year. This week, we turn to the big screen.

PAUL: 10. DJANGO UNCHAINED (dir. Quentin Tarantino)

Jamie Foxx in 'Django Unchained'

With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.

AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)

Kara Hayward and Jared Gilman in 'Moonrise Kingdom'

Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.

Continue reading