Gobbledygeek episode 103, “Does Whatever a Reboot Can,” is available for listening or download right here.
The year’s second big superhero movie, following The Avengers–which you may remember we discussed and AJ even wrote a review of–is The Amazing Spider-Man, rebooting the franchise that sputtered to an end but five years ago. Paul and AJ, both opinionated Spider-Man fans, are at odds over Marc Webb’s new film; Paul considers it the best big screen Spidey yet, AJ not so much. Is Andrew Garfield’s Peter Parker a faithful representation of the one in the comics? Do Spider-Man’s jokes work? Is the Lizard a good starter villain for this new wall-crawler? Is Emma Stone completely adorable? (Spoiler: they agree on that last one, at least.) Plus, the boys geek out over the announcement of more Sandman and share their experiences of seeing Singin’ in the Rain on the big screen.
Next: We’re back, back in the Gotham groove. Paul and AJ rise up to discuss Christopher Nolan’s Bat swan song, The Dark Knight Rises.
(Show notes for “Does Whatever a Reboot Can.”)
As last week’s introductory column wound to a close, I pondered two thoughts: Could John Byrne’s art be any more fantastic? Would Chris Claremont be able to refine his writing as time went on? Though we’re still fairly early on in their run, I’ve now been presented with two satisfactory answers, one of which was surprising, the other not so much.
I’ll start with the surprising one, the first thing that leapt out at me as I plowed through these issues: yes, John Byrne’s art is capable of being even more incredible than it already was! Seriously, he was doing a bang-up job on the seven issues we talked about last week, especially as he started discovering the physical and emotional cores of each character during the Magneto storyline. Even by those high standards, his work over these issues is nothing short of phenomenal. There’s the spread of Wolverine lashing out at Sauron as the rest of the team looks on in shock; the full page of Xavier’s memories taking place within his head; the group tackling Canadian superteam Alpha Flight; the list goes on. Just classic stuff on almost every page.
As for Claremont, his progression is what I had been hoping for and expecting, but it’s still good to see that his writing is getting better. Not that it was bad before, but there’s only so much corny dialogue and regional dialectics one can stomach. There’s still plenty of corny dialogue, but for the most part, it’s the good corny, the kind of corny one expects when one picks up a superhero comic from the late 70’s. Thankfully, Claremont has also dialed back the characters’ dialects. Nightcrawler stills busts out German phrases and Banshee’s dialogue is still littered with “ye”s and “aye”s, but more sparingly and at more appropriate times. There are instances when Sean’s actually able to say something that would sound intelligible coming from another character’s mouth!