Gobbledygeek episode 421, “Drop the Boom On This F#@%ed-Up World,” is available for listening or download right here and on Apple Podcasts here.
We’re still here. The world spins on, at least for a time. In the aftermath of Election Day 2020, there are many variables. Will that loser leave the White House? Will the GOP’s slow-rolling coup pay off? Will a Trumpian shadow militia form, leading to an actual Civil War II? As is the norm, Paul and Arlo have no answers, but they ponder these questions and many others. The boys recount their Election Night spirals; Arlo gets tested for COVID; Paul goes to the severe county of Sevier County; and they discuss some pop culture too, like why the kitchen-sink melodrama of This Is Us works, why Baby Yoda being a monster on The Mandalorian is cool and good, and why Paul hates The Simpsons.
NEXT: for the penultimate episode before our pregnancy-induced hiatus, Vickie Willis Navarra joins us for a Four-Color Flashback discussing Sandman Mystery Theatre: Book One by Matt Wagner, Guy Davis, John Watkiss, and R.G. Taylor.
“FDT (feat. Nipsey Hustle)” by YG, Still Brazy (2016)
“Three Little Birds” by Bob Marley & The Wailers, Exodus (1977)
Last week, we brought you our favorite movies of last year (finally saw Inside Llewyn Davis, by the way, and yes, it would have made the cut). This week, we change channels to focus on TV. We’re doing things a little differently this time out, with separate top 10 lists for new shows and returning favorites. Though there were a lot of new shows I enjoyed over the past year, I’ll admit I couldn’t stretch them to 10; instead, I’ve got 8, while Paul’s just crazy enough to have a full 10.
As always, there are shows we couldn’t get around to: I haven’t seen Rectify, Top of the Lake, Broadchurch, or The Wrong Mans, all of which I’d hoped to see in time for this list. Oh, and to absolve him of all guilt, I should mention that Paul has never seen Breaking Bad. Wait, I don’t think that absolves him.
PAUL: 10. HANNIBAL (NBC)
I wasn’t particularly interested in a television adaptation of the Thomas Harris characters. But names like Hugh Dancy, Mads Mikkelsen, and Bryan Fuller pulled me in. It’s one of the most visually stunning and hauntingly…haunting shows ever to make it to network television. It’s also one of the most shockingly violent and grotesque. All positives in my book. But I can’t put it any higher on my list because it’s crushingly depressing.