Listen to Gobbledygeek Episode 486 – “Interview with the Vampire (1994)”

Kirsten Dunst, Brad Pitt, and Tom Cruise in Interview with the Vampire (1994), directed by Neil Jordan

Gobbledygeek episode 486, “Interview with the Vampire (1994),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Listen to Gobbledygeek and live forever. This week, in a stealth continuation of this year’s Gobbledyween, Paul and Arlo head on down to New Orleans for Neil Jordan’s 1994 adaptation of Anne Rice’s classic Interview with the Vampire. Brad Pitt, Tom Cruise, and Antonio Banderas are the most beautiful men anyone could have cast as immortals in the mid-’90s, and they’re joined by a prepubescent Kirsten Dunst to form a truly tragic coven. The boys discuss the evil joyfulness of Cruise’s Lestat, why the role of Louis de Pointe du Lac does not play to Pitt’s strengths, how amazing it is that the film’s overt homoeroticism made it to the screen, and much more. Plus, yoghurt.

NEXT: we’ll be back in two weeks to discuss season 2 of Reservation Dogs.

BREAKDOWN

  • 00:00:53  –  Intro / Go Go Yoghurt!
  • 00:10:08  –  Interview with the Vampire (1994)
  • 02:06:08  –  Outro / Next

LINKS

MUSIC

  • “Bloodletting (The Vampire Song)” by Concrete Blonde, Bloodletting (1990)
  • “Sympathy for the Devil” by The Rolling Stones, Beggars Banquet (1968)

GOBBLEDYCARES

Top 100 Characters in Modern Pop Culture #60-51

Last week, Paul and I reached the halfway mark of our countdown of the Top 100 Characters in Modern Pop Culture. Here are excerpts of our thoughts on our picks for #s 60-51, but be sure to listen to the show for our full rundowns.

#60

PAUL: Vincent (Beauty and the Beast)

Speaking with a gruff but gentle whisper and all but hidden beneath an impressive leonine Rick Baker prosthesis (which didn’t, but absolutely should have, won awards), Perlman was the very definition of Romantic-with-a-capital-R misunderstood emo monster heroes for a generation.

AJ: John Locke (Lost)

His regained ability to walk gave him a new lease on life, and he looked at the island as a beautiful, supernatural force. He refused to leave, and tried to get the rest of the group to stay as well, believing them to be there for a greater purpose. The constant push-and-pull between Jack, the man of science, and Locke, the man of faith, became the series’ core thematic conflict.

Continue reading