tom hanks

by

Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

Continue reading →

by

Listen to Episode 97, “War! Huh! Good God, Y’all!”

 

Gobbledygeek episode 97, “War! Huh! Good God, Y’all!,” is available for listening or download right here.

Memorial Day is next weekend, so to get in the spirit, the boys have come up with a list of the Official Gobbledygeek Top 5 War Movies. Without giving too much away, we’ll say there are a couple Spielbergs in there along with a couple others that are alternately meditative, pulpy, and batshit insane. Which, you know, war. Plus, Paul and AJ spout off about The Avengers some more, as both are baffled by a simple point that numerous critics have failed to grasp; and Paul mentions the Alabama Phoenix Festival, at which he’ll be appearing on a few panels from May 25-27. Check it out!

Next: the boys have decided to slack off or Memorial Day, so no show next weekend. When we come back, there will be a Geek Challenge! In the meantime, grill some hamburgers and hot dogs for us.

(Show notes for “War! Huh! Good God, Y’all!”)

by

‘Extremely Loud & Incredibly Close’ Review: Mc9/11

The Ultimate Gift is the worst movie I’ve ever seen. You probably haven’t heard of it. Good for you. I don’t want to imply that it’s well-made, because it’s not, but there are certainly worse-made movies out there. Little Man, Date Movie, Space Mutiny, etc. But The Ultimate Gift is a special brand of awful because it takes a little girl’s cancer and uses it as nothing more than a plot point with which to forward the main character’s journey of self-discovery. Once the main character has supposedly become a better person, the little girl dies and no one really cares. Not sure about you, but to me, that is offensive. Now imagine a movie which does the same, only instead of using a cancer-stricken child, it uses a national tragedy the scope of which is still too large for many Americans to comprehend. Thanks to director Stephen Daldry, screenwriter Eric Roth, and a passel of others, you don’t have to imagine it. They’ve made it. And it’s called Extremely Loud & Incredibly Close.

Continue reading →

by

On DVD & Blu-ray, 7/19/11: ‘Peep World,’ ‘Boyz n the Hood,’ More

PEEP WORLD (DVD/Blu-ray)

How come TV actors so rarely get a break on the big screen? The general consensus seems to be that we’ve moved beyond the age of the Movie Star–just look at how little anyone cared about Tom Hanks and Julia Roberts’ Larry Crowne–so why is it still so hard for TV actors to make great movies? Take a look at Peep World. You’ve got Michael C. Hall, who’s given stunning performances on Six Feet Under and Dexter; this man should be working with A-list directors, but instead he makes stuff like Gamer. You’ve got the trifecta of Rainn Wilson, Judy Greer, and Sarah Silverman, all of whom have done very funny work on television. The closest any of them get to cinematic greatness is Wilson’s bit part in Juno. TV’s time-consuming, I know. But when you look at a mess like Peep World, you wonder how so many talented TV people got thrown into such a bad movie. In a way, it reminds me of The Great New Wonderful, an awful movie that inexplicably starred Edie Falco, Will Arnett, Jim Gaffigan, Tony Shalhoub, and Stephen Colbert. Peep World isn’t nearly as bad, but its story of an oh so dysfunctional family feels like an unpleasant tenth-generation copy of The Royal Tenenbaums. It has no style, little wit, and the narrative is all a-shambles. With this many talented actors involved, there are bound to be some effective moments, and there are. But if a filmmaker with respect for and knowledge of the medium had been given the same budget and the same cast, something special could have happened. Extras include deleted scenes and a theatrical trailer. 

Continue reading →

by

Top 100 Characters in Modern Pop Culture: #80-71

Well, better late than never, right? On last Friday’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture. We’ve each got our own lists, and on Friday, we revealed our respective #s 80-71. Be sure to listen to the show for our full run-down, but here are our picks with excerpts of what we said:

#80

PAUL: Chief Martin Brody (Jaws)

Falls into one of my favorite categories: the reluctant hero.

AJ: C.C. Baxter (The Apartment)

So many of Billy Wilder’s movies are so cynical, but The Apartment is one of the few where hope is allowed to shine through.

Continue reading →

by

Movie Review: ‘Toy Story 3’

Director: Lee Unkrich
Writers: Michael Arndt, John Lasseter, Andrew Stanton, and Lee Unkrich

The fact that I was watching a new Toy Story movie took a little while to sink in. It’s been 11 years since Toy Story 2, which is a huge interim for any film series, but one that seems even huger to me since I was only nine years old when the second movie came out. For people of my age, these characters are nothing short of iconic. After all this time, I had pretty much resigned myself to the fact that I wouldn’t be experiencing further adventures with Woody, Buzz, and the gang. Yet there I was at the local multiplex, surrounded by a bunch of little kids who weren’t even alive when I saw the first two.

Continue reading →