Totally slipped my mind to make this post yesterday morning, so here we go: Friday’s Gobbledygeek, “Higher Education,” is available for listening right here. Fictional schools discussed are Sunnydale High, Greendale Community College, Xavier’s School for Gifted Youngsters, Hogwarts School of Witchcraft and Wizardry, and many (seriously, many) others. No annoying tech problems this week, either! In the bonus hour, we talk about the DVD’s that will be out this Tuesday, the new direction the Batman comics are taking, and this season of True Blood so far (though largely spoiler-free, since Kevin hasn’t started the season yet, and we wanted to be all considerate-like). Enjoy!
On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 40-31. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:
PAUL: Jesse Custer (Preacher)
He’s a good ol’ Southern boy, with a hard-drinking work ethic and a code of honor that he follows to an almost fundamentalist extreme.
AJ: The Joker (DC Comics)
Though the Joker is frightening on his own, as has been explored in many comics and filmic adaptations, he would mean nothing without the Batman. He is Batman reflected through a funhouse mirror, living to terrorize and provoke Gotham City as much as Batman exists solely to protect it and keep watch over it.
Stumbled across this while looking up True Blood character info on Wikipedia: Jessica has a vlog! In the first few entries at Babyvamp-Jessica.com, the newbie vampire does silly teenage girl things like balancing bottles of Tru Blood, taking funny pictures, and playing with her fangs. Then, in her most recent entry, posted five days ago, she opens up about how she’s in a bad situation (presumably biter’s remorse over killing that trucker), that Bill’s never around to teach her, and that she hopes other “baby” vampires can find her and help her. Not sure if this’ll play into the main show, but that Deborah Ann Woll is a charmer and it’s worth a look.
Last night’s Gobbledygeek, “Father McCartney,” is available for listening right here. We discuss our favorite Paul McCartney songs, both with the Beatles and without, then move on to underrated/guilty pleasure bands, the True Blood season premiere (and all of the attendant homoerotic pandering), and why Macs are so much better than PC’s.
We also unveil a forthcoming feature: our Top 100 Characters in Modern Pop Culture. In the next several bonus hours, Paul and I will each list our favorites (and by “modern” we mean from the dawn of the 20th century on), then the top ten will be a main topic in a future show. Should take about five weeks, provided we don’t have to skip any.
Hey, Mr. AJ is a new column in which I plan on writing some things about the new music I hear. They’ll be brief reviews, divided into sections: MAXIMUM GOBBLING for the masterpieces; GOBBLE IT for the merely great; WORTH GOBBLING for other good releases; GOBBLE? for those albums which aren’t really good or bad, just sort of okay; DO NOT GOBBLE for the shitty; and RUN, DON’T GOBBLE! for the awful. Got it? Now, don’t ask me again.
by Tame Impala
I’m a Beatlemaniac, so I see the Beatles everywhere. Bear with me. On their debut album Innerspeaker, Australian psych-rock band Tame Impala manage to do what the Olivia Tremor Control did on 1996’s masterful Music from the Unrealized Film Script, Dusk at Cubist Castle; without compromising their creativity or their own unique vision, they capture the spirit of the post-Sgt. Pepper, pre-Abbey Road Beatles. Specifically, both albums remind me of the more freewheeling psychedelic cuts on Yellow Submarine, like George Harrison’s “It’s All Too Much.” Indeed, lead singer Kevin Parker’s voice reminds me of Harrison’s in that soaring, nasally way, which also makes it at times resemble John Lennon’s. But as I said, this is no rip-off, and Tame Impala sound like their own band, embracing the hazier realms of psychedelia that the Fab Four rarely did. It’s misty, delightful music that lulls you into another world with its spiraling distorted guitars, insistent drums, and far out yet pleasingly retro production techniques. Innerspeaker hasn’t made its way to the States yet, but whenever you get the chance, take a listen. You’ll be glad you did.