Listen to Episode 87, “Garçon Means Boy”

Gobbledygeek episode 87, “Garçon Means Boy,” is available for listening or download right here.

It’s week two of Tarantino Month, so the boys discuss the big one: Pulp Fiction, the film that rekindled or launched a thousand careers. What’s in the briefcase? Is Butch a true American patriot? What would have become of Vincent and Mia if things had gone a little differently? Did Reservoir Dogs‘ Mr. Pink survive to become Buddy Holly the waiter? Paul and AJ tackle these questions and more in discussing one of their all-time favorite films. Plus, AJ discusses Ben & Arthur, the worst movie he’s ever seen; and Paul details how he amazingly tried to make his zoo visitors happy.

Next: Tarantino Month continues with a look at 1997’s Jackie Brown.

(Show notes for “Garçon Means Boy.”)

Listen to Episode 53, “Kill Bill & Ted”

Gobbledygeek episode 53, “Kill Bill & Ted,” is available for listening or download right here.

Geek Challenge time! Paul has astonishingly never seen the Kill Bill films, so AJ challenges him to watch them; and in return, Paul challenges AJ to watch the Bill & Ted films. Because of course. Will Paul thrill to the killing of Bill? Will AJ have a most excellent time? Is that real Hattori Hanzo steel? These questions and more will be answered in this week’s exciting installment of Gobbledygeek! Plus: news, Paul’s thoughts on L.A. Noire, AJ shares his Disney Dream cruise experience, and Formspring questions.

Next: the boys, with an assist from Nathan, talk about the coolest games and tech to come out of E3 2011.

(Show notes for “Kill Bill & Ted.”)

Happy Birthday, Quentin Tarantino: Six Shocking Moments

Quentin Tarantino was born March 27, 1963, meaning he turns 48 today. In the almost two decades he’s been making films, he’s revolutionized independent film, inspired never-ending waves of talentless knock-offs, and made seven utterly fantastic films. Though the violence in Tarantino’s movies has generated a lot of press over the years, that is far from the only worthwhile thing about them; each one is a well-structured, stylish, and suspenseful work of art. No other filmmaker cuts straight to my pleasure center as immediately as Tarantino. Though they are different in many respects, Tarantino and Hitchcock share the knack for creating captivating, instantly iconic cinematic images.

Having said all that, certainly I wouldn’t want to bring it back to the violence…but yeah, I’m going to. Violence is a big part of Tarantino’s work, and just like characters in a musical break out into song when they get passionate, Tarantino’s characters often use violence to express themselves. So it being Tarantino’s birthday and whatnot, right after you watch the most recent episode of Community (granted, it’s more of a My Dinner with Andre spoof than a Pulp Fiction spoof, but still), check out my choices for the most shockingly violent moment in each of his films. And moreover, my thoughts on why they’re as shocking as they are.

Reservoir Dogs – “It’s amusing, to me, to torture a cop.”

If someone asked me to name those movie characters who most embody evil, the first three that would come to mind are Hannibal Lecter, Regan from The Exorcist, and…Mr. Blonde, the gangster psychopath from Reservoir Dogs, played with demented flair by Michael Madsen, a B-grade actor giving one hell of an A-performance. The scene where Mr. Blonde, alone except for a dying Mr. Orange, tortures a cop is one of the most iconic and infamous in Tarantino’s oeuvre. Around the 30-second mark in the video embedded above, “Stuck in the Middle with You” by Stealer’s Wheel starts playing on the radio, and it’s like some sort of clarion call for Mr. Blonde to murder. Kneeling over Mr. Orange’s frail figure, he turns to the cop, smiles, then rises and starts dancing to the song. It’s one of the most casually terrifying bits of acting I’ve ever seen. But in focusing on the scene’s sheer horror, what a lot of people fail to realize is that it’s also fucking hilarious. It’s possible that I’m just a highly disturbed individual, but Mr. Blonde dancing, singing, and smiling his way through ear-slicing and gasoline-pouring is the kind of funny that also just so happens to be pretty damned scary. I remember the first time I saw it, when I was 12 or 13, I couldn’t help but start laughing. Then I immediately began wondering if I was going to go to hell. That’s what Quentin Tarantino movies will do to you.

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Top 100 Characters in Modern Pop Culture: #20-11

Last night, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with our penultimate installment, detailing our picks for #20-11. Be sure to listen to the show to hear everything we said, but here are some choice excerpts:

#20

PAUL: Westley/The Man in Black (The Princess Bride)

He bested the greatest swordsman, overpowered a giant, and outwitted a brilliant strategist. And then he got to be the one true love, thought lost at sea, now returned to his princess.

AJ: SS Colonel Hans Landa (Inglourious Basterds)

What makes Landa so terrifying is that he seems entirely bereft of a sense of morality; he manipulates himself into a position of power with whatever group seems to be on the winning side, caring little for past alliances or relationships.

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Top 100 Characters in Modern Pop Culture: #50-41

On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 50-41. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:

#50

PAUL: Toothless (How to Train Your Dragon)

In my opinion, the character’s progression throughout the film is pretty spot-on with what feels like natural behavior, from the frightened, wounded animal in the cove to the trusting “pet” that accepts help from his human to ultimately the loyal friend and protector.

AJ: Rick Blaine (Casablanca)

Humphrey Bogart is one of the greatest actors of all time, and no role better defines his appeal than that of expatriate café owner Rick Blaine.

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