Welcome to week 4 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Read the past installments here, here, and here.
AJ: After three volumes of mayhem, destruction, bloodshed, blasphemy, and a heapin’ helpin’ of profanity, the Preacher TPBs take a breather with…well, “breather” might be the wrong word. “Diversion” is more like it. Jesse, Tulip, and Cassidy are out of the picture this time as Garth Ennis and a couple guest artists flesh out the backstories of the Saint of Killers, Arseface, and Jody ‘n T.C. Last week, you called this collection “inessential.” Having re-read it, do you still feel the same?
Paul: I’m afraid I actually feel it even more strongly than I remembered. This won’t happen very often at all over the course of these discussions, but I’m going to say that the stories this time around are just not very good. I mean, getting the backstory of the Saint of Killers (or more accurately, a version of his backstory) is cool and interesting. But it also takes the exaggeration and clichés of the main story and really turns them up to 11. And while both Steve Pugh and Carlos Ezquerra have done pretty great stuff elsewhere over the years, here I think they really suffer from being “fill-in” artists for Steve Dillon.
The Arseface and Jody & T.C. stories are straight up pointless.
Welcome to week 3 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Weeks 1 and 2 can be found here and here.
Paul & AJ: MOTHERFUCKERRR!!!
AJ: Last week, you said that Preacher is Garth Ennis’ love letter to an idealized America. Fittingly enough, this third volume is entitled Proud Americans. It opens with a tribute to unfairly treated Vietnam vets, closes with Cassidy’s immigrant’s ode to America, and in between continues Jesse’s struggle between modern ways of thinking and his own manly American moral code. The book also encompasses much more than that, with Jesse’s rescue of Cassidy from the Grail, but those moments seemed the most heartfelt. I didn’t entirely see the love letter aspect last week, but now I completely see what you meant.
Paul: I’m glad my comment makes sense now. I think the love letter aspects were definitely present in the previous volumes, but this volume most definitely brings that theme front and center. It’s sometimes a challenge for me to comment on this series as if I haven’t read the entire thing before.
Four-Color Flashback returned last week with the first of nine installments discussing the controversial Vertigo series Preacher. I’m new to the series, Paul’s been a fan since it first started in 1995, and we roundtable it. (Or is it a cross-table? There are only two of us.)
This week, we discuss Preacher: Vol. 2 – Until the End of the World…
Paul: Okay, Mr. AJ, you survived the first explosive, expletive-laden volume of Garth Ennis and Steve Dillon’s Preacher. Here we are, back for more, so tell me…how do you think the second volume, Until the End of the World, holds up?
AJ: I loved the first volume. I had some problems with it–Arseface, Detective Bridges’ sexuality–but on the whole, I thought it was a really entertaining comic with some brilliant ideas. I’m happy to report that Until the End of the World not only continues the witty, profane, blood-splattered fun of Gone to Texas; it also does it one better by introducing some seriously compelling bits of mythology.