vampire

by

Listen to Gobbledygeek Episode 486 – “Interview with the Vampire (1994)”

Kirsten Dunst, Brad Pitt, and Tom Cruise in Interview with the Vampire (1994), directed by Neil Jordan

Gobbledygeek episode 486, “Interview with the Vampire (1994),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Listen to Gobbledygeek and live forever. This week, in a stealth continuation of this year’s Gobbledyween, Paul and Arlo head on down to New Orleans for Neil Jordan’s 1994 adaptation of Anne Rice’s classic Interview with the Vampire. Brad Pitt, Tom Cruise, and Antonio Banderas are the most beautiful men anyone could have cast as immortals in the mid-’90s, and they’re joined by a prepubescent Kirsten Dunst to form a truly tragic coven. The boys discuss the evil joyfulness of Cruise’s Lestat, why the role of Louis de Pointe du Lac does not play to Pitt’s strengths, how amazing it is that the film’s overt homoeroticism made it to the screen, and much more. Plus, yoghurt.

NEXT: we’ll be back in two weeks to discuss season 2 of Reservation Dogs.

BREAKDOWN

  • 00:00:53  –  Intro / Go Go Yoghurt!
  • 00:10:08  –  Interview with the Vampire (1994)
  • 02:06:08  –  Outro / Next

LINKS

MUSIC

  • “Bloodletting (The Vampire Song)” by Concrete Blonde, Bloodletting (1990)
  • “Sympathy for the Devil” by The Rolling Stones, Beggars Banquet (1968)

GOBBLEDYCARES

by

Listen to ‘Gobbledygeek’ Episode 454 – “Gobbledyween: Rockula (feat. Eric Sipple)”

Dean Cameron in Rockula (1990), directed by Luca Bercovici

Gobbledygeek episode 454, “Gobbledyween: Rockula (feat. Eric Sipple),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Gobbledyween has come to a close for another year–and we’re going out with a fang! To round out our month of frightening films, we’ve chosen a movie most people have probably never heard of: Rockula, a vampiric musical from 1990 starring Dean Cameron as the bloodsucking Ralph, cursed to try and win back the love of his immortal life every 22 years. We have also chosen to torture none other than Mimesis author Eric Sipple, who has been forced to endure this film with Paul and Arlo. The gang discusses mirror selves, farting bats, resentful stars, and of course, Bo Diddley.

NEXT: enough inner darkness, how about some Outer Darkness? For our next Four-Color Flashback, we explore the interstellar terror of John Layman and Afu Chan’s 2018-19 Image series.

BREAKDOWN

  • 00:00:40  –  Intro / Guest
  • 00:09:36  –  Rockula
  • 01:29:46  –  The Box Office Game!
  • 01:52:26  –  Outro / Next

LINKS

MUSIC

  • “Rockula” by Los Straitjackets, Damas y Caballeros (2001)
  • “Rockula” by Jesse Cutler, Test of Time (2008)

GOBBLEDYCARES

by

Listen to Gobbledygeek Episode 449 – “The Americans: Season 3 (feat. Wesley Mead)”

Matthew Rhys, Holly Taylor, and Keri Russell in The Americans season 3 (2015)

Gobbledygeek episode 449, “The Americans: Season 3 (feat. Wesley Mead),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

To paraphrase Philip and Elizabeth Jennings’ new/old handler Gabriel, “Podcasting and timeliness in many ways are antithetical.” After a series of delays, Paul and Arlo are back with guest of honor Wesley “Wezzo” Mead to continue their discussion of Joe Weisberg and Joel Fields’ modern classic spy drama The Americans. This time, they’re taking a look at season 3, a masterclass in thematic cohesion. Everything, more or less, comes back to the challenge of parenthood: on a micro level, how the Jennings plan on guiding Paige into the world of spycraft; on a macro level, how they can act as individuals under the forceful hand of the Centre. The gang talks self-actualization, bone-crunching, necklacing, and Frank motherfucking Langella. Plus, a detour into the “wholesomeness discourse” raging around Ted Lasso.

NEXT: John Cusack and Paul Dano take on John C. Reilly and Jenna Fischer in a Geek Challenge. It’s the very real music biopic Love & Mercy versus the parody music biopic Walk Hard: The Dewey Cox Story.

BREAKDOWN

  • 00:00:44  –  Intro / Guest
  • 00:05:37  –  Some words about Ted Lasso
  • 00:25:48  –  The Americans: Season 3
  • 02:22:37  –  Outro / Next

MUSIC

  • “Only You” by Yaz, Upstairs at Eric’s (1982)
  • “Vienna” by Ultravox, Vienna (1980)

GOBBLEDYCARES

by

Listen to Gobbledygeek Episode 430 – “FCF: American Vampire”

Art from American Vampire: Vol. 1 (2010) by Rafael Albuquerque and Dave McCaig

Gobbledygeek episode 429, “Geek Challenge: Wolf vs. The Insider,” is available for listening or download right here, on Spotify, and on Apple Podcasts.

What’s more American than ruthless bastards sucking dry the poor, hardworking souls that make this country what it is–all in the name of progress? We’re not just talking about capitalism here, we’re also talking about the bloodthirsty monsters at the heart of Scott Snyder and Rafael Albuquerque’s American Vampire. For this month’s Four-Color Flashback, Paul and Arlo sink their fangs into the first two volumes of Snyder and Albuquerque’s (with an assist from Stephen King) decades-spanning Vertigo series. The boys discuss how Snyder charts the path of American history through three distinct time periods; the seriously cool vampire taxonomy; Albuquerque’s ghastly, gorgeous art; the way King cusses; and, yes, what the book says about capitalist conquest. Plus, Paul chills with three very different Netflix projects: Moxie, Ginny & Georgia, and Behind Her Eyes.

NEXT: Michael Holland, post-production supervisor on American Horror Story and ABC’s For Life, joins us to discuss Disney+’s first MCU series, WandaVision.

BREAKDOWN

  • 00:00:50  –  Intro
  • 00:07:14  –  American Vampire
  • 01:34:36  –  Outro / Next

MUSIC

  • “American Girl” by Tom Petty and the Heartbreakers, Tom Petty and the Heartbreakers (1977)
  • “Walking on Sunshine” by Katrina and the Waves, Walking on Sunshine (1985) 

GOBBLEDYCARES

by

Listen to Gobbledygeek Episode 387 – “Gobbledyween: Near Dark (feat. Joseph Lewis)”

Bill Paxton in Kathryn Bigelow’s ‘Near Dark’ (1987).

Gobbledygeek episode 387, “Gobbledyween: Near Dark (feat. Joseph Lewis),” is available for listening or download right here and on iTunes here.

It finally happened. After three long years of behind-the-scenes turmoil, Near Dark has made its way to Gobbledyween. A/V writer-director Joseph Lewis joins Paul and Arlo to discuss Kathryn Bigelow’s 1987 vampiric Western, which reimagined the creatures of the night as filthy, lowdown rednecks. The gang discusses the influence Near Dark has had on vampire fiction, the late great Bill Paxton’s immortal performance as Severen, the film’s surprisingly conservative stance on biological family, and how surprisingly difficult it is to get ahold of the movie these days.

Next: Gobbledyween lives in a society. Greg Sahadachny joins us to talk Brian Yuzna’s 1989 satire Society.

THE BREAKDOWN

Total Run Time: 01:33:05

  • 00:00:45  – Intro
  • 00:03:44  – Near Dark
  • 01:24:22  – Outro / Next

THE MUSIC

  • “Fever” by The Cramps, Songs the Lord Taught Us (1980)
  • “The Cowboy Rides Away” by George Strait, Does Fort Worth Ever Cross Your Mind (1984)

THE LINKS

by

Listen to ‘Gobbledygeek’ Episode 298, “Grendel: Part 8 – Devil’s Reign”

grendel8

Gobbledygeek episode 298, “Grendel: Part 8 – Devil’s Reign,” is available for listening or download right here and on iTunes here.

Wait, what’s that? Not only did someone listen to our Grendel episodes…but they decided to join us on air?! Wonders never cease. Joining Paul and Arlo to finish last year’s Four-Color Flashback series on Matt Wagner’s Grendel is Chance Mazzia, who actually discovered the show thanks to Wagner’s whacked-out opus. The gang discusses “Devil’s Reign,” collected in Grendel Omnibus: Vol. 3, which is not technically the end of the sprawling series but marks a fine endpoint for their analysis. Orion Assante seeks to unite the world, but at what cost? Among this week’s subjects are vampirism and Elvis, Trump and Obama, and the subtle art of dick jokes.

Next: a new Four-Color Flashback is upon us. This time the boys will be discussing the presumably much more popular series Y: The Last Man by Brian K. Vaughan and Pia Guerra. Up first is Vol. 1: Unmanned.

(Show notes for “Grendel: Part 8 – Devil’s Reign.”)

by

Listen to ‘Gobbledygeek’ Episode 274, “Grendel: Part 2 – Devil’s Legacy, Part 1”

grendel2

Gobbledygeek episode 274, “Grendel: Part 2 – Devil’s Legacy, Part 1,” is avalable for listening or download right here and on iTunes here.

For their second Four-Color Flashback installment discussing Matt Wagner’s Grendel, Paul and Arlo jump into the first half of the first proper story arc, “Devil’s Legacy” chapters 1-7, collected in Grendel Omnibus: Vol. 2 – The Legacy, pp. 66-246. (This thing’s had a convoluted publishing history.) Anyways, as the boys discover, there’s been a radical shift from the series’ introductory story. Gone is Wagner’s Art Deco-cum-manga art style, replaced by the vibrant, angular artwork of Jacob and Arnold Pander; the storyline has also moved into the “near future” circa 1986, which thanks to some clever math, Paul figures out is probably somewhere around 2005. Most importantly, Grendel’s mask is now worn by Hunter Rose’s step-granddaughter, journalist Christine Spar, who is spurred into action by personal tragedy. Do these stylistic shifts work? Is Wagner’s overblown dialogue a noir-ish affectation or merely self-indulgent? Remember when Donahue was a thing? All this and more, plus Paul and Arlo are shocked by the passing of Prince.

Next: so shocked, in fact, that our next episode is devoted to him. The boys will discuss Prince’s music, as well as three of his films: 1984’s Purple Rain, 1986’s Under the Cherry Moon, and 1987’s concert film Sign ‘o’ the Times.

(Show notes for “Grendel: Part 2 – Devil’s Legacy, Part 1.”)

by

Paul & AJ’s Top 10 Films of 2014

The new year is less than two days old, so once again, it’s time to look back to our favorites of last year. As always, lists are imperfect, incomplete, and totally subject to change upon reflection and the passage of time.

We’ll start with Paul; he remains skeptical of this whole top 10 business, so this year, his contributions to our lists (including comics, albums, and TV shows) will be presented without comment.

(Mine, of course, will probably say too much.)

~ AJ

PAUL’S FAVORITE (NOT BEST) FILMS OF 2014
10. Boyhood (dir. Richard Linklater)
9. Interstellar (dir. Christopher Nolan)
8. Maleficent (dir. Robert Stromberg)
7. Only Lovers Left Alive (dir. Jim Jarmusch)
6. The LEGO Movie (dirs. Phil Lord & Christopher Miller)
5. Guardians of the Galaxy (dir. James Gunn)
4. Captain America: The Winter Soldier (dirs. Joe & Anthony Russo)
3. Dawn of the Planet of the Apes (dir. Matt Reeves)
2. Big Hero 6 (dirs. Don Hall & Chris Williams)
1. How to Train Your Dragon 2 (dir. Dean DeBlois)

HONORABLE MENTIONS
Snowpiercer (dir. Bong Joon-ho)
Edge of Tomorrow (dir. Doug Liman)
The Hunger Games: Mockingjay – Part 1 (dir. Francis Lawrence)
X-Men: Days of Future Past (dir. Bryan Singer)
The Amazing Spider-Man 2 (dir. Marc Webb)

DIDN’T SEE
Birdman (dir. Alejandro González Iñárritu)
Force Majeure (dir. Ruben Ostlund)
The Hobbit: The Battle of the Five Armies (dir. Peter Jackson)

AJ’S TOP 10 FILMS OF 2014

10. BIRDMAN (dir. Alejandro González Iñárritu)

Film Review Birdman

“A thing is a thing, not what is said of that thing,” reads the quote (sometimes attributed to Susan Sontag) stuck to Riggan Thomson’s mirror. One imagines the former superhero actor, played by a back-and-swinging-for-the-fences Michael Keaton, clings to that mantra as he negotiates a shot at artistic integrity with his paranoid need to be loved. It also serves as a warning to anyone trying to dissect the film or Iñárritu’s intentions. After making a career out of overwhelmingly somber dramas, Iñárritu has made a frenzied comedy propelled by a furious drum score from Antonio Sanchez. He also peppers the film with flights of insanity, in which Riggan has telekinetic powers or takes to the skies just like his old alter ego. How much of this is real? What does the film’s beautiful final shot mean? There’s a lot to be said, but you can also take Birdman for the absurd, chaotic, hilarious thing it is.

Continue reading →

by

Listen to Episode 160, “Twelve, More or Less”

lettherightonein

Gobbledygeek episode 160, “Twelve, More or Less,” is available for listening or download right here, and on iTunes here.

The penultimate week of Gobbledyween has arrived, and while that is indeed cause for national (nay, international) mourning, don’t worry: to make the most of it, Paul and AJ have two movies for you this week. Well, okay, they’re really kind of the same movie, but don’t look a gift vampire in the fangs or whatever. This week, the boys take a look at what they both agree is the best vampire movie ever made, the 2008 Swedish film Let the Right One In. Five years on, the film has lost none of its haunting beauty. They’ve also got some love for its 2010 American remake Let Me In, which is very similar but also with some significant differences which change the story entirely. It’s a vampiric twofer, and hey, you know what? You deserve it. Plus, months late, AJ finally caves to peer pressure and watches Orange Is the New Black.

Next: Gobbledyween comes to its thrilling conclusion with–wait for it–The Stuff. The Debatable Podcast host and friend of the show Greg Sahadachny joins and probably doesn’t know what he’s getting himself into.

(Show notes for “Twelve, More or Less.”)

by

Paul & AJ’s Top 10 Comics of 2012

We’ve already listed our favorite TV shows and movies of last year, and we’ve got a couple more lists just before the new season begins. Here are our favorite comic books of 2012; check back tomorrow for our favorite albums (though, considering our extensively detailed history of not knowing how to talk about music, with YouTube clips instead of commentary).

PAUL: 10. THOR: GOD OF THUNDER (Marvel)

Thor in 'Thor: God of Thunder' #1. Art by Esad Ribic.

There was a period of time when Thor was my favorite character in comics. The golden Walt Simonson era was for me the height of otherworldly sword and sorcery super heroics. And while its been quite some time since the character has achieved anything close to that level of wonder, in recent years he’s enjoyed something of a renaissance. From his “death,” to his literal return to Earth under the guidance of J. Michael Straczynski, to his big screen debut, the petulant son of Asgard is kind of back in a big way.

Thor: God of Thunder is the newest incarnation of the title, with the unlikely writer Jason Aaron giving us a triptych of thunder gods, a tale of an alien butcher seeking to torture and destroy all deities told across three different periods of Thor’s life. We see young, arrogant Thor (pre-Mjolnir) and his first meeting with Gorr the God Butcher; modern-day Avenger Thor going full CSI trying to solve the mystery of who or what Gorr is; and far-future Thor, old and broken, sitting on the throne of an empty Asgard, the last surviving god, waiting for Gorr to finish him. It’s a brutal, bloody, and fascinating premise, though I do wish Gorr was slightly more imposing-looking rather than just being a Voldemort rip-off. Aaron creates a genuine mystery and sense of danger with real stakes for our hero, and the painterly art of Esad Ribic suits the romantic epic nature of the story. It’s not quite Simonson-level Mighty Thor (there’s thus far no Beta Ray Bill here), but Thor: God of Thunder is the best the character has been in a long time.

AJ: 10. ANGEL & FAITH (Dark Horse)

Angel, Willow, Connor, and Faith in 'Angel & Faith' #14. Art by Rebekah Isaacs.

I know Whedon fandom is crazy, but I might just be the biggest Buffy fan on the planet. That’s a huge claim, and while I haven’t tattooed James Marsters’ face on my ass or anything (yet), it really is difficult to describe how much Joss Whedon’s world means to me. Without Buffy the Vampire Slayer, I wouldn’t be here today. You wouldn’t be reading these words and I would have even less of an idea of what I want to do with my life. So it pains me greatly to say that the canonical Season 8 and Season 9 comics, though they have certainly had their moments, are largely disposable and occasionally worse. But then there’s Angel & Faith, which has done the impossible, making a monthly comic book series feel like the weekly television shows we fell in love with all those years ago. Christos Gage knows these characters inside and out, both their voices and their motivations. It’s never a question of if the comic will tie back into the shows’ stated mythology, but when and how spine-tingling those connections will be. These are the characters I have loved for a good deal of my life in a story that’s being brilliantly told by Gage and brought to life with wonderful clarity by artist Rebekah Isaacs. If you’re skeptical about Buffyverse comics, you have every right to be, but this one should be a priority.

Continue reading →