November 8, 2022 by arlowiley

Listen to Gobbledygeek Episode 486 – “Interview with the Vampire (1994)”

Kirsten Dunst, Brad Pitt, and Tom Cruise in *Interview with the Vampire* (1994), directed by Neil Jordan

Gobbledygeek episode 486, “Interview with the Vampire (1994),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

Listen to Gobbledygeek and live forever. This week, in a stealth continuation of this year’s Gobbledyween, Paul and Arlo head on down to New Orleans for Neil Jordan’s 1994 adaptation of Anne Rice’s classic Interview with the Vampire. Brad Pitt, Tom Cruise, and Antonio Banderas are the most beautiful men anyone could have cast as immortals in the mid-’90s, and they’re joined by a prepubescent Kirsten Dunst to form a truly tragic coven. The boys discuss the evil joyfulness of Cruise’s Lestat, why the role of Louis de Pointe du Lac does not play to Pitt’s strengths, how amazing it is that the film’s overt homoeroticism made it to the screen, and much more. Plus, yoghurt.

NEXT: we’ll be back in two weeks to discuss season 2 of Reservation Dogs.

BREAKDOWN

00:00:53 – Intro / Go Go Yoghurt!
00:10:08 – Interview with the Vampire (1994)
02:06:08 – Outro / Next

MUSIC

“Bloodletting (The Vampire Song)” by Concrete Blonde, Bloodletting (1990)
“Sympathy for the Devil” by The Rolling Stones, Beggars Banquet (1968)

GOBBLEDYCARES

Abortion Funds in Every State: https://bit.ly/AbortionFundsTwitter
National Suicide Prevention Lifeline: https://suicidepreventionlifeline.org/
Support AAPI communities and those affected by anti-Asian violence: https://www.gofundme.com/c/act/stop-aapi-hate
Support the AAPI Civic Engagement Fund: https://aapifund.org/
Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/
The Trevor Project provides information and support to LGBTQ youth: thetrevorproject.org
Trans Lifeline: https://translifeline.org/
- US (877) 565-8860
- Canada (877) 330-6366
National Center for Transgender Equality: transequality.org
Advocate for writers who might be owed money due to discontinuance of royalties: https://www.writersmustbepaid.org/
Help teachers and classrooms in need: https://www.donorschoose.org/
Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/
Register to vote: https://vote.gov/

March 15, 2021 by arlowiley

Listen to Gobbledygeek Episode 430 – “FCF: American Vampire”

Art from *American Vampire: Vol. 1* (2010) by Rafael Albuquerque and Dave McCaig

Gobbledygeek episode 429, “Geek Challenge: Wolf vs. The Insider,” is available for listening or download right here, on Spotify, and on Apple Podcasts.

What’s more American than ruthless bastards sucking dry the poor, hardworking souls that make this country what it is–all in the name of progress? We’re not just talking about capitalism here, we’re also talking about the bloodthirsty monsters at the heart of Scott Snyder and Rafael Albuquerque’s American Vampire. For this month’s Four-Color Flashback, Paul and Arlo sink their fangs into the first two volumes of Snyder and Albuquerque’s (with an assist from Stephen King) decades-spanning Vertigo series. The boys discuss how Snyder charts the path of American history through three distinct time periods; the seriously cool vampire taxonomy; Albuquerque’s ghastly, gorgeous art; the way King cusses; and, yes, what the book says about capitalist conquest. Plus, Paul chills with three very different Netflix projects: Moxie, Ginny & Georgia, and Behind Her Eyes.

NEXT: Michael Holland, post-production supervisor on American Horror Story and ABC’s For Life, joins us to discuss Disney+’s first MCU series, WandaVision.

BREAKDOWN

00:00:50 – Intro
00:07:14 – American Vampire
01:34:36 – Outro / Next

MUSIC

“American Girl” by Tom Petty and the Heartbreakers, Tom Petty and the Heartbreakers (1977)
“Walking on Sunshine” by Katrina and the Waves, Walking on Sunshine (1985)

GOBBLEDYCARES

Support Black Lives Matter and find anti-racism resources: https://blacklivesmatters.carrd.co/
Help teachers and classrooms in need: https://www.donorschoose.org/
Do your part to remove the burden of medical debt for individuals, families, and veterans: https://ripmedicaldebt.org/
Register to vote: https://vote.gov/

October 13, 2019 by arlowiley

Listen to Gobbledygeek Episode 387 – “Gobbledyween: Near Dark (feat. Joseph Lewis)”

Bill Paxton in Kathryn Bigelow’s ‘Near Dark’ (1987).

Gobbledygeek episode 387, “Gobbledyween: Near Dark (feat. Joseph Lewis),” is available for listening or download right here and on iTunes here.

It finally happened. After three long years of behind-the-scenes turmoil, Near Dark has made its way to Gobbledyween. A/V writer-director Joseph Lewis joins Paul and Arlo to discuss Kathryn Bigelow’s 1987 vampiric Western, which reimagined the creatures of the night as filthy, lowdown rednecks. The gang discusses the influence Near Dark has had on vampire fiction, the late great Bill Paxton’s immortal performance as Severen, the film’s surprisingly conservative stance on biological family, and how surprisingly difficult it is to get ahold of the movie these days.

Next: Gobbledyween lives in a society. Greg Sahadachny joins us to talk Brian Yuzna’s 1989 satire Society.

THE BREAKDOWN

Total Run Time: 01:33:05

00:00:45 – Intro
00:03:44 – Near Dark
01:24:22 – Outro / Next

THE MUSIC

“Fever” by The Cramps, Songs the Lord Taught Us (1980)
“The Cowboy Rides Away” by George Strait, Does Fort Worth Ever Cross Your Mind (1984)

THE LINKS

“25 Things We Learned from Kathryn Bigelow’s Near Dark Commentary” by Rob Hunter, Film School Rejects
“Bloodthirsty and Lonely in the Heartland: Kathryn Bigelow’s NEAR DARK” by Jacob Mazer, Bryn Mawr Film Institute
“The Deafening Night: Kathryn Bigelow’s NEAR DARK” by Jacob Knight, Birth. Movies. Death.
“How Near Dark Explores the Dark Side of Family Structure” by Nat Brehmer, Wicked Horror
“Near Dark (1987)” by Roderick Heath, Ferdy on Films
“Sunlight Through Bullet Holes” by Tammy Oler, Slate
“Near Dark” by John M. Miller, TCM

January 26, 2017 by Arlo J. Wiley

Listen to ‘Gobbledygeek’ Episode 298, “Grendel: Part 8 – Devil’s Reign”

Gobbledygeek episode 298, “Grendel: Part 8 – Devil’s Reign,” is available for listening or download right here and on iTunes here.

Wait, what’s that? Not only did someone listen to our Grendel episodes…but they decided to join us on air?! Wonders never cease. Joining Paul and Arlo to finish last year’s Four-Color Flashback series on Matt Wagner’s Grendel is Chance Mazzia, who actually discovered the show thanks to Wagner’s whacked-out opus. The gang discusses “Devil’s Reign,” collected in Grendel Omnibus: Vol. 3, which is not technically the end of the sprawling series but marks a fine endpoint for their analysis. Orion Assante seeks to unite the world, but at what cost? Among this week’s subjects are vampirism and Elvis, Trump and Obama, and the subtle art of dick jokes.

Next: a new Four-Color Flashback is upon us. This time the boys will be discussing the presumably much more popular series Y: The Last Man by Brian K. Vaughan and Pia Guerra. Up first is Vol. 1: Unmanned.

(Show notes for “Grendel: Part 8 – Devil’s Reign.”)

April 27, 2016 by Arlo J. Wiley

Listen to ‘Gobbledygeek’ Episode 274, “Grendel: Part 2 – Devil’s Legacy, Part 1”

Gobbledygeek episode 274, “Grendel: Part 2 – Devil’s Legacy, Part 1,” is avalable for listening or download right here and on iTunes here.

For their second Four-Color Flashback installment discussing Matt Wagner’s Grendel, Paul and Arlo jump into the first half of the first proper story arc, “Devil’s Legacy” chapters 1-7, collected in Grendel Omnibus: Vol. 2 – The Legacy, pp. 66-246. (This thing’s had a convoluted publishing history.) Anyways, as the boys discover, there’s been a radical shift from the series’ introductory story. Gone is Wagner’s Art Deco-cum-manga art style, replaced by the vibrant, angular artwork of Jacob and Arnold Pander; the storyline has also moved into the “near future” circa 1986, which thanks to some clever math, Paul figures out is probably somewhere around 2005. Most importantly, Grendel’s mask is now worn by Hunter Rose’s step-granddaughter, journalist Christine Spar, who is spurred into action by personal tragedy. Do these stylistic shifts work? Is Wagner’s overblown dialogue a noir-ish affectation or merely self-indulgent? Remember when Donahue was a thing? All this and more, plus Paul and Arlo are shocked by the passing of Prince.

Next: so shocked, in fact, that our next episode is devoted to him. The boys will discuss Prince’s music, as well as three of his films: 1984’s Purple Rain, 1986’s Under the Cherry Moon, and 1987’s concert film Sign ‘o’ the Times.

(Show notes for “Grendel: Part 2 – Devil’s Legacy, Part 1.”)

January 2, 2015 by Arlo J. Wiley

Paul & AJ’s Top 10 Films of 2014

The new year is less than two days old, so once again, it’s time to look back to our favorites of last year. As always, lists are imperfect, incomplete, and totally subject to change upon reflection and the passage of time.

We’ll start with Paul; he remains skeptical of this whole top 10 business, so this year, his contributions to our lists (including comics, albums, and TV shows) will be presented without comment.

(Mine, of course, will probably say too much.)

~ AJ

PAUL’S FAVORITE (NOT BEST) FILMS OF 2014
10. Boyhood (dir. Richard Linklater)
9. Interstellar (dir. Christopher Nolan)
8. Maleficent (dir. Robert Stromberg)
7. Only Lovers Left Alive (dir. Jim Jarmusch)
6. The LEGO Movie (dirs. Phil Lord & Christopher Miller)
5. Guardians of the Galaxy (dir. James Gunn)
4. Captain America: The Winter Soldier (dirs. Joe & Anthony Russo)
3. Dawn of the Planet of the Apes (dir. Matt Reeves)
2. Big Hero 6 (dirs. Don Hall & Chris Williams)
1. How to Train Your Dragon 2 (dir. Dean DeBlois)

HONORABLE MENTIONS
Snowpiercer (dir. Bong Joon-ho)
Edge of Tomorrow (dir. Doug Liman)
The Hunger Games: Mockingjay – Part 1 (dir. Francis Lawrence)
X-Men: Days of Future Past (dir. Bryan Singer)
The Amazing Spider-Man 2 (dir. Marc Webb)

DIDN’T SEE
Birdman (dir. Alejandro González Iñárritu)
Force Majeure (dir. Ruben Ostlund)
The Hobbit: The Battle of the Five Armies (dir. Peter Jackson)

AJ’S TOP 10 FILMS OF 2014

10. BIRDMAN (dir. Alejandro González Iñárritu)

“A thing is a thing, not what is said of that thing,” reads the quote (sometimes attributed to Susan Sontag) stuck to Riggan Thomson’s mirror. One imagines the former superhero actor, played by a back-and-swinging-for-the-fences Michael Keaton, clings to that mantra as he negotiates a shot at artistic integrity with his paranoid need to be loved. It also serves as a warning to anyone trying to dissect the film or Iñárritu’s intentions. After making a career out of overwhelmingly somber dramas, Iñárritu has made a frenzied comedy propelled by a furious drum score from Antonio Sanchez. He also peppers the film with flights of insanity, in which Riggan has telekinetic powers or takes to the skies just like his old alter ego. How much of this is real? What does the film’s beautiful final shot mean? There’s a lot to be said, but you can also take Birdman for the absurd, chaotic, hilarious thing it is.

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January 17, 2013 by Arlo J. Wiley

Paul & AJ’s Top 10 Comics of 2012

We’ve already listed our favorite TV shows and movies of last year, and we’ve got a couple more lists just before the new season begins. Here are our favorite comic books of 2012; check back tomorrow for our favorite albums (though, considering our extensively detailed history of not knowing how to talk about music, with YouTube clips instead of commentary).

PAUL: 10. THOR: GOD OF THUNDER (Marvel)

There was a period of time when Thor was my favorite character in comics. The golden Walt Simonson era was for me the height of otherworldly sword and sorcery super heroics. And while its been quite some time since the character has achieved anything close to that level of wonder, in recent years he’s enjoyed something of a renaissance. From his “death,” to his literal return to Earth under the guidance of J. Michael Straczynski, to his big screen debut, the petulant son of Asgard is kind of back in a big way.

Thor: God of Thunder is the newest incarnation of the title, with the unlikely writer Jason Aaron giving us a triptych of thunder gods, a tale of an alien butcher seeking to torture and destroy all deities told across three different periods of Thor’s life. We see young, arrogant Thor (pre-Mjolnir) and his first meeting with Gorr the God Butcher; modern-day Avenger Thor going full CSI trying to solve the mystery of who or what Gorr is; and far-future Thor, old and broken, sitting on the throne of an empty Asgard, the last surviving god, waiting for Gorr to finish him. It’s a brutal, bloody, and fascinating premise, though I do wish Gorr was slightly more imposing-looking rather than just being a Voldemort rip-off. Aaron creates a genuine mystery and sense of danger with real stakes for our hero, and the painterly art of Esad Ribic suits the romantic epic nature of the story. It’s not quite Simonson-level Mighty Thor (there’s thus far no Beta Ray Bill here), but Thor: God of Thunder is the best the character has been in a long time.

AJ: 10. ANGEL & FAITH (Dark Horse)

I know Whedon fandom is crazy, but I might just be the biggest Buffy fan on the planet. That’s a huge claim, and while I haven’t tattooed James Marsters’ face on my ass or anything (yet), it really is difficult to describe how much Joss Whedon’s world means to me. Without Buffy the Vampire Slayer, I wouldn’t be here today. You wouldn’t be reading these words and I would have even less of an idea of what I want to do with my life. So it pains me greatly to say that the canonical Season 8 and Season 9 comics, though they have certainly had their moments, are largely disposable and occasionally worse. But then there’s Angel & Faith, which has done the impossible, making a monthly comic book series feel like the weekly television shows we fell in love with all those years ago. Christos Gage knows these characters inside and out, both their voices and their motivations. It’s never a question of if the comic will tie back into the shows’ stated mythology, but when and how spine-tingling those connections will be. These are the characters I have loved for a good deal of my life in a story that’s being brilliantly told by Gage and brought to life with wonderful clarity by artist Rebekah Isaacs. If you’re skeptical about Buffyverse comics, you have every right to be, but this one should be a priority.

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August 8, 2012 by Arlo J. Wiley

Four-Color Flashback: ‘Preacher: Vol. 9 – Alamo’

Welcome to the final week in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, 7, and 8.

Paul: It ends here.

Nine volumes. 66 issues. Five one-shot specials. A four-issue tie-in miniseries. And a tanker truck full of blood and guts. Our pissed-off preacher, gun-toting girl Friday, and blood-drinking BFF all converge, where else? Texas. The Alamo, to be precise. And things get both big and small, epic and very, very personal.

Oh, and one poorly written report gets taken out behind the woodshed and shot the fuck up.

So AJ, mi compadre, what did you think of the grand finale?

AJ: Where to begin? Perhaps it’s best to start with my one sizable complaint before moving on to everything that worked so, so well here. Last week, we talked about the watering-down of Herr Starr, of how even though he’s the series’ ostensible antagonist, his misadventures have often been treated as comic relief. Maybe I just wasn’t paying enough attention, but I completely failed to realize that taking revenge on Jesse had supplanted bringing about Armageddon as his goal in life. So when he announced his plans to the Elite Council, I was just as confused as they were (luckily, I didn’t get murdered right after). I feel like a discussion of Starr as the series’ Big Bad could take up its own post, so I’ll just say that though I loved the vast majority of what we ended up getting, I can’t imagine what an epic ending Armageddon could have provided.

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August 1, 2012 by Arlo J. Wiley

Four-Color Flashback: ‘Preacher: Vol. 8 – All Hell’s A-Coming’

Welcome to week 8 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, 6, and 7.

AJ: Here we are. The penultimate volume of Preacher. Given the title and the fact that we’re very near the end, I thought there would be a lot more violence and bloodshed. Instead, All Hell’s A-Coming turns its focus inward, with a lot to say about our heroes and their pasts. The past is a big theme here, not only because of the extended flashbacks but also because people and things from long ago keep coming back to add wrinkles to the story.

Speaking of those extended flashbacks, where should we start: Tulip or Cassidy?

Paul: I say we take it in order, so Tulip.

AJ: The beginning of this volume is all kinds of heartbreaking. A listless Tulip dragging herself out of bed, trying and failing to find the drugs she’s felt she’s needed for these past months. Last we saw Cassidy, we were beginning to realize that he might not have been the fundamentally decent person we thought he was. That continues in the opening scene, as he tells Tulip that everything’s all right, she only needs her medicine, and “Don’t make me take that fuckin’ guy away from you.” Followed immediately by Tulip blasting him into the sunlight. Tulip flees the hell that Cassidy has made for her, then we learn all about how she became who she is.

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