Welcome to week 7 of 9 in our discussion of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, 5, and 6.
Paul: So this volume, Salvation, is kind of an intermission in the main story. We get to see what kind of man Jesse is removed from the quest and his group of friends. And as it turns out he’s just as much the Big Damn Hero in this smaller setting as when he’s hunting down God and facing off with saints and lunatics.
How did you feel about this step back from the bigger picture?
AJ: I loved it. It’s impressive how much I enjoyed Jesse’s exploits away from Cassidy, Tulip, Herr Starr, etc. It took me a second to realize that we weren’t going to see most of our old friends (excepting Jesse’s vision quest near the end), but once I adjusted to that, I found Salvation to be one of the most satisfying volumes yet.
Welcome to week 3 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. Weeks 1 and 2 can be found here and here.
Paul & AJ: MOTHERFUCKERRR!!!
AJ: Last week, you said that Preacher is Garth Ennis’ love letter to an idealized America. Fittingly enough, this third volume is entitled Proud Americans. It opens with a tribute to unfairly treated Vietnam vets, closes with Cassidy’s immigrant’s ode to America, and in between continues Jesse’s struggle between modern ways of thinking and his own manly American moral code. The book also encompasses much more than that, with Jesse’s rescue of Cassidy from the Grail, but those moments seemed the most heartfelt. I didn’t entirely see the love letter aspect last week, but now I completely see what you meant.
Paul: I’m glad my comment makes sense now. I think the love letter aspects were definitely present in the previous volumes, but this volume most definitely brings that theme front and center. It’s sometimes a challenge for me to comment on this series as if I haven’t read the entire thing before.
Biutiful is the most recent offering from Alejandro González Iñárritu, he of Amores Perros, 21 Grams, and Babel, all of which rank among my favorite films. Javier Bardem scored an Oscar nod as Uxbal, who, uh…actually, the synopses of this movie make it really hard to figure out what his deal is, though he’s described as a “tragic hero” and “a single father who struggles to reconcile fatherhood, love, spirituality, crime, guilt and mortality amid the dangerous underworld of modern Barcelona.” So there’s that. I meant to catch this in theaters, but in any case, I’m really looking forward to this one. Extras include a making-of doc and a theatrical trailer.