Welcome to week 6 of 9 in our analysis of Garth Ennis and Steve Dillon’s Preacher. For more, read weeks 1, 2, 3, 4, and 5.
AJ: A lot happens in this volume, and there’s a lot to talk about, but I’m going to start off with perhaps the least important storyline because I don’t want to forget to bring it up…what the fuck happened to Arseface at the end?! His “furruh uhzmuhyuh,” the arsefaced paradise, his Dad appearing to him and apologizing–was that like the most surreal depiction of suicide ever, or…?
Paul: Unfortunately(?), you’re not gonna get any more on that. The Arseface story is…a little hard to put my finger on. To be honest, though it does have a conclusion, I’m not 100% sure I could tell you what it all ultimately means. Which is why I keep saying, for all intents and purposes you could really just ignore it and hope it goes away.
But to answer your question, I’m pretty sure Ennis wrote that bit while on peyote.
HOBO WITH A SHOTGUN (DVD/Two-Disc Collector’s Edition DVD/Collector’s Edition Blu-ray & Digital)
Hobo with a Shotgun is the feature-length adaptation of a contest-winning faux trailer shown with some Canadian prints of 2007’s Grindhouse; I haven’t seen the trailer, but maybe this stuff was amusing at two-and-a-half minutes. At 86 minutes, it is grim, nasty, and joyless. In aping the sleazoid vigilante flicks of the 70’s, I’m sure that was the intent of director/co-writer Jason Eisener. But that doesn’t mean I have to like it. Look, Planet Terror is great because it’s a well-crafted, old school adrenaline-pumper; Death Proof is great because it subverts grindhouse tropes while still managing to celebrate them. Both of them have moments of shocking violence, but they’re both clearly heartfelt love letters to the movies of Robert Rodriguez and Quentin Tarantino’s childhoods. Hobo with a Shotgun feels like their obnoxious little shit of a brother who’s trying to outdo them at every turn, in effect making himself look all the more pathetic. There’s not much fun here. What there is, is a lot of sadism and stupidity. If that’s your thing, by all means, but I’ll be slowly backing away now. Extras on the Collector’s Edition (because apparently making less than $1 million at the box office warranted such a thing) include a making-of doc; a behind-the-scenes interactive mode; an alternate ending; deleted scenes; vlogs; an HDNet featurette; the original trailer; TV spots; theatrical trailers; commentary with Eisener and star Rutger Hauer; and another commentary with Eisener, producer Rob Cotteril, co-writer John Davies, and original hobo David Brunt.
(Originally reviewed by me in “Wow.”)