How come TV actors so rarely get a break on the big screen? The general consensus seems to be that we’ve moved beyond the age of the Movie Star–just look at how little anyone cared about Tom Hanks and Julia Roberts’ Larry Crowne–so why is it still so hard for TV actors to make great movies? Take a look at Peep World. You’ve got Michael C. Hall, who’s given stunning performances on Six Feet Under and Dexter; this man should be working with A-list directors, but instead he makes stuff like Gamer. You’ve got the trifecta of Rainn Wilson, Judy Greer, and Sarah Silverman, all of whom have done very funny work on television. The closest any of them get to cinematic greatness is Wilson’s bit part in Juno. TV’s time-consuming, I know. But when you look at a mess like Peep World, you wonder how so many talented TV people got thrown into such a bad movie. In a way, it reminds me of The Great New Wonderful, an awful movie that inexplicably starred Edie Falco, Will Arnett, Jim Gaffigan, Tony Shalhoub, and Stephen Colbert. Peep World isn’t nearly as bad, but its story of an oh so dysfunctional family feels like an unpleasant tenth-generation copy of The Royal Tenenbaums. It has no style, little wit, and the narrative is all a-shambles. With this many talented actors involved, there are bound to be some effective moments, and there are. But if a filmmaker with respect for and knowledge of the medium had been given the same budget and the same cast, something special could have happened. Extras include deleted scenes and a theatrical trailer.
On last night’s show, Paul and I continued our countdown of the Top 100 Characters in Modern Pop Culture with #s 40-31. Be sure to listen to the show for our full run-downs, but here are some choice excerpts:
PAUL: Jesse Custer (Preacher)
He’s a good ol’ Southern boy, with a hard-drinking work ethic and a code of honor that he follows to an almost fundamentalist extreme.
AJ: The Joker (DC Comics)
Though the Joker is frightening on his own, as has been explored in many comics and filmic adaptations, he would mean nothing without the Batman. He is Batman reflected through a funhouse mirror, living to terrorize and provoke Gotham City as much as Batman exists solely to protect it and keep watch over it.