Jimmy Cliff in ‘The Harder They Come’ (1972), directed by Perry Henzell
Gobbledygeek episode 406, “Jimmy Cliff and the Apocalypse,” is available for listening or download right here and on iTunes here.
The world is, yet again, a much different place than when we last recorded an episode of Gobbledygeek. In the month since the police killing of George Floyd, there have been a wave of protests worldwide and renewed conversations about what role police have in society, if any at all. We–Paul and Arlo–are not sure we should be part of this conversation. After postponing recording for many reasons, our initial urge to record some deep, thought-provoking discussion about racial injustice has subsided. We’re two white guys on an extremely niche podcast that is supposedly about pop culture. We are not going to cover any new ground. What we will say, unequivocally, is that Black Lives Matter. Yesterday, today, always. We do discuss the state of the world, George Floyd, Rayshard Brooks, police abolition, ACAB, etc.–hopefully in a respectful way that might interest some of our listeners. Oh, and there’s still a pandemic going on, so we talk about that too.
Fear not: we also talk about pop culture! Paul plays The Last of Us: Part II, Arlo watches great films by Black filmmakers like Charles Burnett and Billy Woodberry, we have a brief discussion on the state of the comics industry mid-COVID, and more. Hopefully there are some laughs.
Next: we’ll be back, theoretically in a week’s time.
Total Run Time: 01:40:35
- 00:00:40 – Intro
- 01:37:36 – Outro / Next
- “Fuck tha Police” by N.W.A., Straight Outta Compton (1988)
- “Pressure Drop” by Toots & The Maytals, Monkey Man (1970)
Ella Hunt in John McPhail’s ‘Anna and the Apocalypse’ (2017).
Gobbledygeek episode 393, “Twisted Christmas: Anna and the Apocalypse,” is available for listening or download right here and on iTunes here.
‘Twas the season 10 finale of Gobbledygeek, when all through the podcast,
Zombies were shuffling, Scottish dancers aghast.
John McPhail’s Anna and the Apocalypse was the topic du jour,
In hopes that Paul and Arlo would discuss the songs, the jokes, and maybe some more.
The movie does not foster too much discussion, alas;
While instead, talking about Christmas plans and getting high, our hosts had a blast.
Paul in his kerchief and Arlo in his cap,
Have settled their mics for a long winter’s nap.
Next: merry Christmas and happy New Year. We’ll see you in 2020.
Total Run Time: 01:32:00
- 00:01:18 – Intro
- 00:04:32 – Main Topic
- 00:48:05 – Holiday plans / Season 10 wrap-up
- 01:28:50 – Outro / Next
- “Break Away” by Ella Hunt, Sarah Swire & Malcolm Cumming, Anna and the Apocalypse (Original Motion Picture Soundtrack) (2018)
- “It’s That Time of Year” by Marli Siu, Anna and the Apocalypse (Original Motion Picture Soundtrack) (2018)
- “Human Voice” by Cast from Anna and the Apocalypse, Anna and the Apocalypse (Original Motion Picture Soundtrack) (2018)
- “Hollywood Ending” by Cast from Anna and the Apocalypse, Anna and the Apocalypse (Original Motion Picture Soundtrack) (2018)
Anna Hutchinson, Chris Hemsworth, Kristen Connolly, Jesse Williams, and Fran Kranz in Drew Goddard’s ‘The Cabin in the Woods’ (2011).
Gobbledygeek episode 386, “Gobbledyween: The Cabin in the Woods,” is available for listening or download right here and on iTunes here.
Leaves are on the ground, blood is on the screen. It’s time once again for Gobbledyween, that most beloved of Gobbledygeek institutions–and one that has not reared its horrific head in full since 2015! All month long, Paul and Arlo will be discussing horror or horror-adjacent movies, starting with one they actually discussed seven years ago: Drew Goddard’s mega-meta 2011 genre critique The Cabin in the Woods. The boys reveal why they’re revisiting the film (hint: it involves sheer incompetence!), break down Goddard and co-writer/producer Joss Whedon’s refutation of horror stereotypes, compare Cabin’s prevailing sense of nihilism to the pragmatic hope on display in Buffy and Angel, and go nuts trying to name all the monsters we see on screen.
Next: the night, it’s deafening. A/V writer-director Joseph Lewis joins us to discuss–finally–Kathryn Bigelow’s 1987 vampire Western Near Dark.
Total Run Time: 01:43:03
- 00:00:35 – Intro
- 00:11:12 – The Cabin in the Woods
- 01:40:36 – Outro / Next
- “Horror Movies” by Dickie Goodman (1961)
- “Last” by Nine Inch Nails, Broken (1992)
Gobbledygeek episode 356, “Gobbledyween: Creepshow (feat. Greg Sahadachny),” is available for listening or download right here and on iTunes here.
Gobbledyween returns! Again! Greg Sahadachny, once and future host of The Debatable Podcast, returns! Again! To close out our truncated season of horror happenings, Paul, Arlo, and Greg flip ahead to George A. Romero and Stephen King’s kooky 1982 splash page Creepshow. Indebted to old EC horror comics, Creepshow has become a cult classic in its own right, as silly and lowbrow as it is reverent and artful. The gang discusses why the meeting of these two horror masters may not be what you would expect; the underrated craft of Romero’s filmmaking; how tough it is to view Leslie Nielsen as anything other than the Naked Gun guy these days; and Ted Danson’s head in a tank. Plus, Paul travels to the fantastical world of Hilda; Arlo checks into The Haunting of Hill House; and forgive us, Carpenter, for we have synth-ed.
Next: the show blows up.
(Show notes for “Gobbledyween: Creepshow.”)
Gobbledygeek episode 247, “Just Sort of Rotting,” is available for listening or download right here and on iTunes here.
Gobbledyween comes early with the one-two zombie punch (right through some poor lady’s skull) of Peter Jackson’s 1992 gorefest Dead Alive AKA Braindead, one of several gonzo films which made the New Zealander perhaps the least likely contender to ever helm The Lord of the Rings; and 1984’s cult classic Night of the Comet, wherein the world ends and the burden of society is placed upon two teen sisters and their new pal Hector. In true Geek Challenge fashion, Paul and AJ find themselves baffled by these selections. Paul swims through Dead Alive‘s rivers of fake blood, while AJ finds himself stranded in Night of the Comet‘s nearly zombie-free desert. Will our heroes find common ground and come to understand one another? Never.
Next: death is but a door. Time is but a window. We’ll be back.
(Show notes for “Just Sort of Rotting.”)
Last week, we brought you our favorite movies of last year (finally saw Inside Llewyn Davis, by the way, and yes, it would have made the cut). This week, we change channels to focus on TV. We’re doing things a little differently this time out, with separate top 10 lists for new shows and returning favorites. Though there were a lot of new shows I enjoyed over the past year, I’ll admit I couldn’t stretch them to 10; instead, I’ve got 8, while Paul’s just crazy enough to have a full 10.
As always, there are shows we couldn’t get around to: I haven’t seen Rectify, Top of the Lake, Broadchurch, or The Wrong Mans, all of which I’d hoped to see in time for this list. Oh, and to absolve him of all guilt, I should mention that Paul has never seen Breaking Bad. Wait, I don’t think that absolves him.
PAUL: 10. HANNIBAL (NBC)
I wasn’t particularly interested in a television adaptation of the Thomas Harris characters. But names like Hugh Dancy, Mads Mikkelsen, and Bryan Fuller pulled me in. It’s one of the most visually stunning and hauntingly…haunting shows ever to make it to network television. It’s also one of the most shockingly violent and grotesque. All positives in my book. But I can’t put it any higher on my list because it’s crushingly depressing.
Last week, we discussed our favorite TV series of the last year. This week, we turn to the big screen.
PAUL: 10. DJANGO UNCHAINED (dir. Quentin Tarantino)
With Django Unchained, director Quentin Tarantino takes us once more back to a terrible moment in our history, and once again asks us to indulge him his little anachronisms and revisionist revenge fantasies. This time, instead of Nazis and baseball-bat-wielding Jews, we get slavers and bounty-hunting dentists. Set in the pre-Civil War Deep South, Unchained is Tarantino’s homage to the Spaghetti Westerns of Leone and Corbucci, which he prefers to call his Spaghetti Southern. I’ll say that the absence of editor Sally Menke is sharply felt here, though. If I, of all people, notice the nearly three-hour runtime, then there could’ve been some tightening. The cast is great across the board, including a list of hidden cameos longer than my arm (among others, original Django Franco Nero makes an appearance). Jamie Foxx is great in the title role, though I imagine what Will Smith could’ve done with the part, as was the original intent. Leo DiCaprio, Samuel L. Jackson, and Walton Goggins all shine in their respective roles. Kerry Washington was reduced to little more than the damsel in distress, however, which is unusual for a Tarantino picture. But the standout here is Christoph Waltz. He is every bit as charmingly heroic and admirable this time as he was charmingly repulsive and hateful in Basterds.
AJ: 10. MOONRISE KINGDOM (dir. Wes Anderson)
Wes Anderson’s films often have a childlike quality about them, whether it be his colorful storybook compositions or the petulance of many of his characters. So it’s fitting that he’s finally made a film about children, one in which the kids are on the run from what’s expected of them and their adult guardians are forced to accept the roles they’ve played in their children’s abandonment of them. Newcomers Jared Gilman and Kara Hayward, both in their first screen acting roles, give perfectly awkward performances. Anderson regulars Bill Murray and Jason Schwartzman are in their element here, while Frances McDormand and Tilda Swinton join the auteur’s troupe with ease. Perhaps most encouragingly, Moonrise Kingdom is the first sign of life in years from Bruce Willis–who, with a movie soon to appear on our lists, proved later in the year that he’s most definitely still kicking–and Edward Norton, two actors who really needed a movie like this.
Gobbledygeek episode 72, “No More Room in Hell,” is available for listening or download right here. (GOBBLEDYUPDATE: Technical issues appear to have been resolved. We now return you to our regularly scheduled gobbling.)
When there is no more room in hell, the Gobbledygeeks will walk the earth. And while we’re here, we shall discuss George A. Romero’s Dawn of the Dead! That’s right, zombiefolk, it’s Gobbledyween week three, so we’re turning our rotting, shambling corpses upon one of the original undead classics. Part consumerism satire and part gory munchfest, the film set a high bar for zombie films that not many have been able to shuffle up to. After we discuss the film and go off on some bizarre tangents, we talk about the Walking Dead season 2 premiere and answer some off-the-wall Formspring questions.
Next: for the final week of Gobbledyween 2011, we will discuss Event Horizon, a movie that Paul has not seen since it was in theaters and one AJ has never seen. Good times!
(Show notes for “No More Room in Hell.”)