THE BREAKDOWN
- Intro / Banter (00:00 – 23:09)
- Main Topic NON-SPOILERS (23:09 – 49:41)
- Main Topic SPOILERS (49:41 – 2:10:38)
- Outro / Next Week (2:10:38 – 2:14:45)
LINKS
- “Let’s Talk About the Ending of ‘Annihilation’” by Emily Yoshida, Vulture
- “The Horrible, Beautiful Sound Of ‘Annihilation’” by Jonathan Ross, jarusesky.wordpress.com
- “‘Annihilation’ is the most thoughtful science fiction movie since ‘Arrival’” by Tasha Robinson, The Verge
- “‘Annihilation’ Review” by Brian Tallerico, RogerEbert.com
- “How ‘Annihilation’ Designed Its Unnatural Horrors” by Abraham Riesman, Vulture
- “‘Annihilation’: How the Movie Differs From the Book It’s Based On (and Why It’s Better)” by Michael Nordine, IndieWire
- “‘Annihilation’ Explained: Unpacking Alex Garland’s Brilliant, Trippy Sci-Fi Horror Film” by Matt Goldberg, Collider.com
- “Annihilation’s Alex Garland on sticking up for brainy sci-fi” by Peter Howell, The Star
- “‘Annihilation’ is a gorgeous movie that went terribly wrong” by Annalee Newitz, Ars Technica
- “‘Annihilation’: A Beautiful Heap of Nonsense” by Christopher Orr, The Atlantic
- “How Mad Should I Be About the Whitewashing in Annihilation?” by E. Alex Jung, Vulture
- “‘Annihilation’ and ‘Ex Machina’ director Alex Garland on using sci-fi to explore self-destruction” by Bryan Bishop, The Verge
- “13 Movies to Watch After ‘Annihilation” by Lindsey Romain, Nerdist
- “Why Won’t Critics Let Natalie Portman Grow Up?” by Angelica Jade Bastién, Vulture
SONGS
- “Helplessly Hoping” by Crosby, Stills & Nash, Crosby, Stills & Nash (1969)