Art from ‘Y: The Last Man – Vol. 10: Whys and Wherefores” by Pia Guerra, José Marzan Jr., and Zylonol.
Gobbledygeek episode 333, “Y: The Last Man – Vol. 10: Whys and Wherefores (feat. Kenn Edwards),” is available for listening or download right here and on iTunes here.
Alas, poor Yorick! We knew him, a fellow of infinite wisecracks, of most ridiculous immaturity. We hath borne Brian K. Vaughan and Pia Guerra’s Y: The Last Man on our podcast ten times, and now, how abhorred (and a little relieved) in our imagination it is! Our mics rise at it. Here laid those narrative devices about which we kvetched we know not how oft. Where be Guerra’s glorious artwork now? Vaughan’s pithy dialogue? Their penchant for emotional devastation? Their flashes of genius (let’s be honest–they were more than flashes) that here culminate in a tremendous feat of sequential art? We are not ones now to complain after all they’ve accomplished. Quite the opposite. Now get you to iTunes and listen, let us ramble for hours, to this conclusion we must come. Hopefully we will make you laugh, at that. Prithee, Kenn Edwards, let us get to the point.
Next: less Shakespearean speech, more Shakespearean drama. We travel to Wakanda for Black Panther.
(Show notes for “Y: The Last Man – Vol. 10: Whys and Wherefores.”)
Gobbledygeek episode 332, “The Greatest Showman: The Noblest Art (feat. Nate Curtiss),” is available for listening or download right here and on iTunes here.
Come one, come all to The Greatest Showman, Michael Gracey’s musical retelling (or is that reshaping?) of the life of circus impresario P.T. Barnum. Paul and Arlo are joined by first-time guest Nate Curtiss, whose obsession with the film rivals Paul’s well-documented mania. The gang discusses the film’s message of tolerance and inclusion, why it’s a better musical than La La Land, and if it’s a problem that the filmmakers have refashioned Barnum as a beacon of progressivism. Plus, the Teenage Mutant Ninja Turtles are back (did they ever leave?), which is making some fans unhappy (aren’t they always?); and The Cloverfield Paradox was a surprise post-Super Bowl release on Netflix.
Next: last year’s Four-Color Flashback finally comes to a close, as Kenn Edwards joins us to discuss Y: The Last Man – Vol. 10: Whys and Wherefores.
(Show notes for “The Noblest Art.”)
Gobbledygeek episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Come on in; the water’s fine. Sarah Kosheff joins Paul and Arlo to discuss Guillermo del Toro’s The Shape of Water, freshly nominated for 13 Academy Awards. Del Toro’s girl-meets-fish romance is one of last year’s most ravishing, visually sumptuous films, and the gang discusses why exactly that is. (Spoiler: they don’t all quite agree.) Topics of discussion include Sally Hawkins’ and Doug Jones’ tremendous wordless performances; Alexandre Desplat’s beautiful score, and how music is an important mode of communication in the film; the importance of color, specifically green; and how the film is, in del Toro’s own words, about the “beauty of the other.” Plus, Paul has joined MoviePass just in time for it to come under intense scrutiny.
Next: Paul just wouldn’t shut up about The Greatest Showman, so first-time guest Nathan Curtiss will be joining the boys to discuss the Hugh Jackman-starring musical.
(Show notes for “Green Around the Gills.”)
Gobbledygeek episode 330, “The X-Files: Season 7 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.
No TV show is at its best seven seasons in, as Paul, Arlo, and special British guest Wesley “Wezzo” Mead can attest. The gang has just watched season 7 of Chris Carter’s seminal sci-fi series The X-Files, and they have questions: Why would anyone think that was a satisfying resolution to the Samantha Mulder storyline? Why is Dana Scully, one of the greatest female characters in all of genre fiction, consistently robbed of agency? Why is Chris Carter the worst writer on his own show? Why didn’t the show just end here? In addition to lamenting the season’s VR fantasmagorias and double scoops of Kathy Griffin, the gang does find praise for cast members going behind the camera and Vince Gilligan inching ever closer toward Breaking Bad. Plus, Paul continues to visit The Greatest Showman; Wezzo tells us of Comedians in Cars Getting Coffee, Somebody Feed Phil, and Inside No. 9; and gosh, politics are just AWFUL.
Next: Paul and Arlo dive into Guillermo del Toro’s The Shape of Water.
(Show notes for “The X-Files: Season 7.”)
Gobbledygeek episode 329, “Black Mirror: Shattered Reflections (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Ladies and gentlemen, we are through the tweeting glass. First-time guest Sarah Kosheff joins Paul and Arlo to discuss Charlie Brooker’s sci-fi anthology series Black Mirror in general, and the new fourth season in particular. The gang discusses how the series explores the intersection of technology and society, if the “what if phones but too much” line of criticism is reductive, if the idea of a Black Mirror “shared universe” is in any way appealing, and more. Plus, Paul meets The Greatest Showman, Arlo and Sarah marvel at The Shape of Water, and Arlo finally puts Paul in his mouth.
Next: famed Briton Wesley “Wezzo” Mead stops by once again to discuss Chris Carter’s seminal sci-fi series The X-Files. This time, the gang will discuss season 7.
(Show notes for “Shattered Reflections.”)
Art from ‘Y: The Last Man – Vol. 9: Motherland’ by Pia Guerra, José Marzán, Jr., and Zylonol.
Gobbledygeek episode 328, “Y: The Last Man – Vol. 9: Motherland,” is available for listening or download right here and on iTunes here.
Yorick’s gang (there’s gotta be a snappier name, right?) inch closer to destiny in Y: The Last Man – Vol. 9: Motherland, as Paul and Arlo near the end of their Four-Color Flashback discussion of Brian K. Vaughan and Pia Guerra’s beloved comics series. The boys once again rehash their frustrations with putting this series under the occasional monthly microscope, leading Arlo to posit that maybe different books are different kinds of great. Then Paul hashes out the most plausible explanations Vaughan has presented for the manpocalypse, and whether any of them catch the boys’ fancy. Plus, Jumanji: Welcome to the Jungle is more fun than it has any right to be, and it looks like Red Sparrow may be the Black Widow movie Marvel has denied us.
Next: the boys go through the looking glass with season 4 of Charlie Brooker’s Black Mirror, joined by first-time guest Sarah Kosheff.
(Show notes for “Y: The Last Man – Vol. 9: Motherland.”)
Art from ‘The Legend of Korra: Turf Wars, Part One’ by Irene Koh and Vivian Ng.
The Avatar Returns episode 48 is available for listening or download right here and on iTunes here.
We’re back for a brand new year with a brand new comics series! Following on the successful heels of their Avatar: The Last Airbender graphic novels Dark Horse Comics introduces the official Legend of Korra continuation series. The first story arc is called “Turf Wars” and it’s written by original series co-creator Michael Dante DiMartino with art by Irene Koh. To go along with all the new we here at The Avatar Returns are trying a slightly new format in that we’ll be reviewing these books as they are initially released rather than waiting for the hardcover Library Edition collections. So in this episode we tackle Part One (of Three), and I confess that we struggle just a little bit. Picking up immediately where the animated series left off we follow Korra and Asami on their getaway into the spirit world, and while it’s wonderful to see these characters again the return isn’t quite as smooth as we may have hoped. Paul and Arlo are worried about a seeming return to Book One hotheaded impetuous Korra; Koh’s art is a significant change from Gurihiru in the ATLA books; there’s talk of the Dumbledoring of Kya; and Eric will not condone a course of action that will lead us to Turf War. (That’s a joke, he actually loves this book.)
(Show notes for The Avatar Returns episode 48.)