Jennifer Garner in Gary Winick’s ’13 Going on 30′ (2004). Her face upon realizing she has boobs has become humanity’s face upon awakening each morning.
Gobbledygeek episode 399, “Disclaimer: Not a Criminal Act,” is available for listening or download right here and on iTunes here.
FIRST THING’S FIRST: Paul obliquely confesses a past sin during this episode, it’s kind of a super tense moment, but Arlo has cleared off-mic that it was not a criminal act! So…do with that what you will! Elsewhere, the world is fucking ending, so you might as well watch The End of the Fucking World. Paul and Arlo muse on the collapse of civilization, discuss proper social distancing etiquette, and recommend things to watch and read as society dissolves. Some of those recommendations: The Hunt, now available on VOD since movie theaters have shuttered; comfy junk food movies like Yes Man and Ghosts of Girlfriends Past; Netflix’s I Am Not Okay with This; Hawkeye: Freefall by Matthew Rosenberg and Otto Schmidt; Matt Fraction and Steve Lieber’s uproarious Superman’s Pal Jimmy Olsen; and, of course, perennial classic Good Burger.
Next: Ten years. 400 episodes. It’s all led to this. It’s a shame we’re all dying.
Total Run Time: 02:08:53
- 00:00:46 – Random thoughts on the end of the world
- 00:59:30 – Paul interrupts the flow to obliquely confess a past sin
- 01:13:00 – What to watch / read as we slowly go mad and die alone
- 02:02:26 – Outro / Next
- “Doom Days” by Bastille, Doom Days (2019)
- “Make Art Not Friends” by Sturgill Simpson, SOUND & FURY (2019)
‘The Scream’ by Edvard Munch (1893)
Gobbledygeek episode 398, “,” is available for listening or download right here and on iTunes here.
We start with frozen dairy dessert. We end with a world on the brink of madness. Between that gulf lies…nothing, everything. Paul chides Arlo for becoming obsessed with Black Hammer. The boys laugh about getting the @Gobbledygeek Twitter handle back. Good stuff. You like that, right? Well, guess what? Tom Hanks and Rita Wilson have coronavirus, the NBA has suspended the season, all travel from the EU to the US has been stopped, our president appears to be slowly dying on national television. All that, in real time. Read the mouse print, baby: it’s the end of all things.
Next: assuming we make it, there’s another Four-Color Flashback. Yep, another one. Fun Home: A Family Tragicomic. Alison Bechdel. See you then.
Total Run Time: 00:00:00
- 00:00:00 – Intro
- 00:00:00 – Madness!!!
- 00:00:00 – Outro / Next
- “I’m Going Slightly Mad” by Queen, Innuendo (1991)
- “Creeping Death” by Metallica, Kill ‘em All (1983)
Art by Dean Ormston (pencils/inks) & Dave Stewart (color) from ‘Black Hammer: Age of Doom’ (2018)
Gobbledygeek episode 397, “Four-Color Flashback: Black Hammer,” is available for listening or download right here and on iTunes here.
Don’t you just hate it when you’re a superhero who saves the world and then gets zapped to a shitty little farm town in another dimension that you literally cannot leave? In Jeff Lemire and Dean Ormston’s Dark Horse series Black Hammer, Abraham Slam, Golden Gail, Barbalien, Talky-Walky, Colonel Weird, and Madame Dragonfly sure do. For this month’s Four-Color Flashback, Paul and Arlo discuss the recently concluded “main” storyline of Lemire and Ormston’s ever-expanding creation, consisting of Black Hammer issues #1-13 and Black Hammer: Age of Doom issues #1-12. From a backwater farm to the furthest reaches of time and space, our heroes explore every facet of the superhero genre. Along the way, they confront the metatextual realities of comics storytelling–and the just plain textual fact of aging.
Next: we have no plans.
Total Run Time: 02:33:48
- 00:00:37 – Intro
- 00:02:14 – Black Hammer
- 02:29:10 – Outro / Next
- “(Don’t Go Back To) Rockville” by R.E.M., Reckoning (1984)
- “How You Gonna Keep ‘Em Down On the Farm” by Andrew Bird, Soldier On (2007)
Regina King in HBO’s ‘Watchmen’ (2019).
Gobbledygeek episode 396, “FCF Bonus: HBO’s Watchmen (feat. Greg Sahadachny),” is available for listening or download right here and on iTunes here.
No one, especially not Alan Moore, ever really wanted a Watchmen sequel. Which is exactly why handing the reins to Damon Lindelof, who has a history of disorienting and upsetting expectations, is a stroke of genius. Last year’s HBO series, spearheaded by Lindelof, is a bold, startling continuation of Moore and Dave Gibbons’ graphic novel masterpiece–so of course, after talking about the book, Paul, Arlo, and reformed podcaster Greg Sahadachny had to discuss the TV show. The gang talks about the ways in which Lindelof subverts and pays tribute to Moore and Gibbons’ work; how Lindelof built a writers’ room with people who were not like him; the show’s provocative exploration of race and authority; whether or not the show sticks the landing; and much, much more.
Next: due to one scheduling kerfuffle after another, we’ve got another Four-Color Flashback for you! Paul and Arlo will discuss Jeff Lemire and Dean Ormston’s Black Hammer.
Total Run Time: 02:32:50
- 00:00:30 – Intro
- 00:05:40 – Sturgill Simpson’s A Good Look’n Tour
- 00:28:28 – Watchmen
- 02:28:25 – Outro / Next
- “Turtles All the Way Down” by Sturgill Simpson, Turtles All the Way Down (2014)
- “Best Clockmaker On Mars” by Sturgill Simpson, Sound & Fury (2019)
- “The Case for Reparations” by Ta-Nahesi Coates, The Atlantic
- “Watchmen Gave Us All the Answers” by Kathryn VanArendonk, Variety
- “HBO’s Watchmen Captures the Spirit of the Graphic Novel Better Than Anything Else” by Princess Weekes, The Mary Sue
- “The Real Black History Hidden Within HBO’s Watchmen” by Karama Horne, SyFy Wire
- “The Incendiary Aims of HBO’s Watchmen” by Emily Nussbaum, New Yorker
- “Stephen Williams goes behind the scenes of the emotionally devastating and technically dazzling ‘This Extraordinary Being.’” by Joanna Robinson, Vanity Fair
- “How ‘Watchmen’ Pulled Off One of the Best TV Seasons of the Decade” by Adam B. Vary, Variety
- “Olivia Hooker, one of the last survivors of the 1921 Tulsa race massacre, dies at 103” by Deneen L. Brown, Los Angeles Times
- “Following Watchmen, 1921 Tulsa Race Massacre Added to Oklahoma Curriculum” by Adreon Patterson, CBR
- The Official Watchmen Podcast – website – iTunes
Art from the ‘Avatar: The Last Airbender’ 15th anniversary steelbook Blu-ray.
The Avatar Returns episode 49 is available for listening or download right here and on iTunes here.
Guess who’s back, back again…
A little flying lemur told us it was the 15th Anniversary of Avatar: The Last Airbender, and we thought, “Hey, we liked that show.” So here we are, Team TARP together again. We discuss our memories of the series, how it’s influenced pop culture, and whether or not that Netflix live-action series is ever gonna happen. We also talk about all the various ways this podcast could reincarnate in the future, be it for books, comics, or other animated series.
Also, our resident boozebender Eric Sipple creates an Avater-themed cocktail. (See the recipe below.)
Total Run Time: 01:40:55
- 00:00:45 – Intro
- 00:09:45 – AtLA 15th Anniversary
- 00:43:33 – Netflix live-action update
- 01:05:16 – Books & Comics
- 01:10:30 – Animation
- 01:20:06 – Speculating about new podcast projects
- 01:37:20 – Outro / Next
- “Avatar: The Last Airbender (Intro)” by Jeremy Zuckerman (2005)
- “Airbending” by Mak11, Airbending (Single) (2019)
THE AVATAR STATE RECIPE
- 1 oz London dry gin (Air)
- 1 oz Campari (Fire)
- 1 oz Punt e Mes (Earth)
- Fill an old fashioned glass with ice (Water). Add all ingredients to the glass and stir. Garnish with a thin slice of orange.
Art by Dave Gibbons from ‘Watchmen’ (1986-87).
Gobbledygeek episode 395, “Four-Color Flashback: Watchmen (feat. Greg Sahadachny).” is available for listening or download right here and on iTunes here.
After a year of pointedly discussing no superhero stories, Paul and Arlo revive Four-Color Flashback for a new decade with the big kahuna of all superhero stories: Alan Moore and Dave Gibbons’ 1986-87 maxi-series Watchmen. Aided by emotional sherpa Greg Sahadachny, once and future host of The Debatable Podcast, the boys openly admit there is no new light to shed on perhaps the most analyzed comic book of all time–then get to shedding. What’s it like reading Watchmen in 2020? In the wake of Damon Lindelof’s TV sequel? The gang finds that, like all great art, Watchmen has not changed in the 33 years since its run wrapped, but we have. In a world where fascism seems much more tangible, where superhero fiction reigns supreme, Moore and Gibbons’ work has taken on a renewed sense of meaning. The gang discusses the book’s formalist genius; our heroes’ utter contempt for those they claim to save; why, for a certain type of reader, Rorschach is a morally just idol; and plenty more.
Next: we continue watching the Watchmen with a discussion of Lindelof’s HBO show.
Total Run Time: 01:50:43
- 00:00:21 – Intro
- 00:04:00 – Watchmen
- 01:47:43 – Outro / Next
- “Desolation Row” by Bob Dylan, Highway 61 Revisited (1965)
- “Cosmic Charlie” by The Grateful Dead, Aoxomoxoa (1969)
- “In 1986, Watchmen skewered the way we love superheroes. It’s still as relevant as ever.” by Alex Abad-Santos, Vox
- “Watchmen’s Fearful Symmetry: (almost) frame by frame”by Pedro V. Ribeiro, Medium
- Sam Hamm’s Watchmen Script
Daisy Ridley and Adam Driver in J.J. Abrams’ ‘Star Wars: Episode IX – The Rise of Skywalker.’
Gobbledygeek episode 394, “Star Wars: The Rise of Skywalker (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
The geeks speak! Gobbledygeek has been resurrected via cloning or Force magic or some shit, and to kick off season 11, Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple has lightspeed-skipped on over to discuss Star Wars: Episode IX – The Rise of Skywalker. After adoring The Last Jedi, the gang approached this supposed final film in the Skywalker Saga with heavy amounts of skepticism–well-earned, depending on who you ask. They discuss the mystical, magical malarkey behind Palpatine’s return; how director J.J. Abrams and writer Chris Terrio are uniquely suited to not deliver a satisfying conclusion; the oodles of fan service; what the film’s final scene means for the legacy of Star Wars; and more. Plus, they talk about The Baby Yoda Show AKA The Mandalorian.
Next: it is January 29, 2020. Paul and Arlo are discussing Alan Moore and Dave Gibbons’ Watchmen for a Four-Color Flashback. I am tired of this world; these people.
Total Run Time: 02:35:50
- 00:00:00 – Intro
- 00:02:35 – The Mandalorian
- 00:28:52 – Star Wars: The Rise of Skywalker
- 02:31:20 – Outro / Next
- “Fanfare and Prologue” by John Williams, Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack) (2019)
- “Finale” by John Williams, Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack) (2019)
- “Why ‘Star Wars: The Last Jedi’ Pissed Off Fans” by Matt Singer, Screencrush
- “The Last Jedi dared to put the philosophy of Star Wars in the foreground” by Siddhant Adlahka, Polygon
- “The Rise Of Skywalker, And How Star Wars Is Junk” by Chuck Wendig, Terribleminds
- “Rey’s revelation in ‘Rise of Skywalker’ changes Star Wars for the worse” by Chris Taylor, Mashable
- “How ‘Star Wars: The Rise of Skywalker’ Failed Kylo Ren and What It Could Have Learned from ‘Avatar: The Last Airbender’” by Hoai-Tran Bui, SlashFilm
- “Rote and Cowardly, The Rise of Skywalker Sets a Dangerous Precedent” by Jeffrey Zhang, Strange Harbors
- “STAR WARS: THE RISE OF SKYWALKER Has A Ben Solo Problem” by Lindsey Romain, Nerdist
- “There’s No Such Thing as a Great Star Wars Movie” by Edoardo Ranaboldo, CBR
- “The Rise of Skywalker Makes It Clear Star Wars NEEDS Rian Johnson” by Anthony Gramuglia, CBR
- “‘Star Wars’: Still With Us, but No Longer Above Us” by Owen Gleiberman, Variety
- “Proof That Luke Skywalker’s Story Got the Proper Ending: King Arthur” by Eric Diaz, Nerdist
- “Dark Star Rising: How Adam Driver’s angst and brooding intensity made the world fall in love with a ‘Star Wars’ supervillain” by Brian Hiatt, Rolling Stone
- “The Rise of Skywalker Allowed Toxic Fandom to Win” by Sergio Pereira, CBR
- “Star Wars: Did The Skywalker Saga Bring Balance to the Force in the End?” by Hannah Collins, CBR
- “The Greatest Trick Star Wars Ever Played Was Making Us Think It Was About Redemption” by Susana Polo, Polygon