Art from ‘Green Arrow: The Longbow Hunters’ by Mike Grell.
Gobbledygeek episode 359, “Green Arrow: The Longbow Hunters,” is available for listening or download right here and on iTunes here.
Ollie, draw back your bow and let your arrow go straight to that killer’s heart. For the penultimate Four-Color Flashback of the year, and the final DC installment of our Age of Heroes project, Paul and Arlo head to the asphalt jungle of Seattle as Oliver Queen stalks his street punk prey in Mike Grell’s 1987 miniseries Green Arrow: The Longbow Hunters. As was common practice in the ‘80s, Grell reimagined the character of Green Arrow as grimmer, grittier, and existing in a real world full of boobs and blood. The boys discuss why Grell, by and large, does not really pull this off; the two really interesting moments of subversion he does manage; his stellar, sketchy, detailed artwork; and Dinah Lance’s near-fridging. Plus, the boys honor Stan Lee; Arlo cooks up some groovy spaghetti with the new White Album set; Paul needs a Bodyguard; and things get horrifying with The Immortal Hulk and Outer Darkness.
Next: happy Thanksgiving! Paul and Arlo return next month to close out the Age of Heroes with Tom King and Gabriel Hernandez Walta’s The Vision, joined by their pal Jed Waters Keith.
(Show notes for “Green Arrow: The Longbow Hunters.”)
Gobbledygeek episode 341, “A Quiet Place: STFU (feat. Nate Curtiss),” is available for listening or download right here and on iTunes here.
Shh. Keep it down or you’ll miss the latest episode of Gobbledygeek, wherein Paul and Arlo are joined by their pal Nate Curtiss for a discussion of John Krasinski’s horror-thriller A Quiet Place. The nearly wordless film, which makes extensive use of subtitled American Sign Language, presents a unique theatergoing experience; every gulp of soda and crunch of popcorn reverberates throughout the auditorium. The gang talks about their different theater experiences, and how the film reveals the true heart of an audience; why it’s important Krasinski cast deaf actress Millicent Simmonds; how Krasinski’s lack of horror experience proves to be a strength; and more. Plus, Paul digs on TV sci-fi: Final Space, Lost in Space, The Expanse, and Legion.
Next: this year’s superheroic Four-Color Flashback continues with a discussion of the original, non-Nazi-fied Captain America and the Falcon: Secret Empire. Wanna Cook? co-author (and Cap superfan) Ensley F. Guffey drops by.
(Show notes for “STFU.”)
Gobbledygeek episode 332, “The Greatest Showman: The Noblest Art (feat. Nate Curtiss),” is available for listening or download right here and on iTunes here.
Come one, come all to The Greatest Showman, Michael Gracey’s musical retelling (or is that reshaping?) of the life of circus impresario P.T. Barnum. Paul and Arlo are joined by first-time guest Nate Curtiss, whose obsession with the film rivals Paul’s well-documented mania. The gang discusses the film’s message of tolerance and inclusion, why it’s a better musical than La La Land, and if it’s a problem that the filmmakers have refashioned Barnum as a beacon of progressivism. Plus, the Teenage Mutant Ninja Turtles are back (did they ever leave?), which is making some fans unhappy (aren’t they always?); and The Cloverfield Paradox was a surprise post-Super Bowl release on Netflix.
Next: last year’s Four-Color Flashback finally comes to a close, as Kenn Edwards joins us to discuss Y: The Last Man – Vol. 10: Whys and Wherefores.
(Show notes for “The Noblest Art.”)
Gobbledygeek episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Come on in; the water’s fine. Sarah Kosheff joins Paul and Arlo to discuss Guillermo del Toro’s The Shape of Water, freshly nominated for 13 Academy Awards. Del Toro’s girl-meets-fish romance is one of last year’s most ravishing, visually sumptuous films, and the gang discusses why exactly that is. (Spoiler: they don’t all quite agree.) Topics of discussion include Sally Hawkins’ and Doug Jones’ tremendous wordless performances; Alexandre Desplat’s beautiful score, and how music is an important mode of communication in the film; the importance of color, specifically green; and how the film is, in del Toro’s own words, about the “beauty of the other.” Plus, Paul has joined MoviePass just in time for it to come under intense scrutiny.
Next: Paul just wouldn’t shut up about The Greatest Showman, so first-time guest Nathan Curtiss will be joining the boys to discuss the Hugh Jackman-starring musical.
(Show notes for “Green Around the Gills.”)
Gobbledygeek episode 329, “Black Mirror: Shattered Reflections (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.
Ladies and gentlemen, we are through the tweeting glass. First-time guest Sarah Kosheff joins Paul and Arlo to discuss Charlie Brooker’s sci-fi anthology series Black Mirror in general, and the new fourth season in particular. The gang discusses how the series explores the intersection of technology and society, if the “what if phones but too much” line of criticism is reductive, if the idea of a Black Mirror “shared universe” is in any way appealing, and more. Plus, Paul meets The Greatest Showman, Arlo and Sarah marvel at The Shape of Water, and Arlo finally puts Paul in his mouth.
Next: famed Briton Wesley “Wezzo” Mead stops by once again to discuss Chris Carter’s seminal sci-fi series The X-Files. This time, the gang will discuss season 7.
(Show notes for “Shattered Reflections.”)
Gobbledygeek episode 310, “Children of Men: This Stork Is Quite Tasty, Isn’t It?,” is available for listening or download right here and on iTunes here.
Anti-immigrant sentiment. Militarized police. Fascist leadership. A Britain with closed borders. No, this isn’t our world circa 2017; it’s the 2027 of Alfonso Cuarón’s 2006 sci-fi masterpiece Children of Men. A world rocked by mass infertility and faced with humanity’s impending extinction has led down a path of violent extremism, one you and I may be traveling as we speak. Paul and Arlo discuss the film’s terrifying relevance, its rightful ascendance to modern classic status, those insane tracking shots, and, you know, white male privilege. Plus, Paul promised Arlo he would watch Park Chan-wook’s The Handmaiden, and by god that’s a promise he kept.
Next: three years after their self-titled debut, the Guardians of the Galaxy are about to drop Vol. 2, and you’re invited to the listening party.
(Show notes for “Children of Men: This Stork Is Quite Tasty, Isn’t It?”)
Gobbledygeek episode 306, “Unmaking Soup,” is available for listening or download right here and on iTunes here.
This week, Paul and Arlo turn on and tune into the wonders and terrors of the superhuman mind by taking a gander at the first season of Legion. The FX series, developed by Fargo‘s Noah Hawley and theoretically set in the X-Men universe, is unlike most other superheroic media. David Haller is either schizophrenic, an extremely powerful telepathic/telekinetic mutant, or both. Witnessed through his eyes, the world is fractured, bizarre, disturbing, and a tad surreal. As such, the typical X-Men plot–David is rescued from a mutant-hunting government organization known as D3 by a group of rebels with a Magneto-esque leader–is given a swift kick in the pants. The boys discuss this inventive telling of a simple story, the show’s many visual flourishes, why it’s a powerful exploration of mental health, and Aubrey Plaza’s revelatory turn as a 50-year-old man. Plus, a surprise Rick and Morty pre-empts Samurai Jack, overjoying one of our hosts and causing considerable frustration in the other; and the boys rave about the fifth season of another brilliant FX drama, The Americans.
Next: film critic and horror expert Jess Byard joins Paul and Arlo to ask, “Where has all the good sci-fi horror gone?”
(Show notes for “Unmaking Soup.”)