alan taylor

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Listen to Gobbledygeek Episode 502 – Blue Eye Samurai

Mizu (voiced by Maya Erskine) in Blue Eye Samurai (2023), created by Michael Green and Amber Noizumi

Gobbledygeek episode 502, “Blue Eye Samurai,” is available for listening or download right here, on Spotify, and on Apple Podcasts.

What is there for a young, mixed-race woman to do in feudal Japan? Reject all traces of her femininity, assume the masculine identity of a ronin, and seek revenge on any of the four white men in the whole country who could potentially be her father. Is Mizu a demonic half-breed, an enlightened warrior, or something else altogether? Created by Michael Green and Amber Noizumi, Blue Eye Samurai charts Mizu’s journey of self-discovery and bloodlust, and Paul and Arlo are along for the ride. The boys discuss the show’s brilliant fight choreography, each character’s attempt to break free of their constraints, the tremendous voice performances of Maya Erskine and Brenda Song, and that Metallica cover. Plus, Arlo pays homage to big bald daddy Godzilla.

NEXT: ho ho no! It’s a Bob Clark double feature on the finale of our truncated season 14, as Twisted Christmas rears its festive face once more. Black Christmas and A Christmas Story are basically the same movie, right?

BREAKDOWN

  • 00:00:55  –  Intro / Guest
  • 00:30:10  –  Blue Eye Samurai
  • 02:00:12  –  Outro / Next

LINKS

MUSIC

  • “For Whom the Bell Tolls” by Emi Meyer, Blue Eye Samurai (Soundtrack from the Netflix Series) (2023)
  • “Pale Blue Eyes” by The Velvet Underground, The Velvet Underground (1969)

GOBBLEDYCARES

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Paul & AJ’s Top 10 Films of 2013

Let the top 10-a-palooza commence! Over the next couple weeks, Paul and I will be looking back at our favorite things of 2013. First up, films; next week, TV series; and finally, comics. As always, these lists are imperfect and incomplete, reflecting only on what we’ve seen and love at the moment. Or as Paul writes:

I intentionally refer to the films on this list as favorites, not best. I rank films based on how much I enjoyed them, for whatever ephemeral or esoteric reasons unique to me, not on some system of objective filmmaking truths. These are the ten films I liked the most. YMMV.

Regarding omissions, neither of us have been able to see Inside Llewyn Davis, which makes me want to die, but oh well. I also haven’t seen The Great Beauty, Cutie and the Boxer, or The Hobbit: The Desolation of Smaug, among others. Meanwhile, Paul hasn’t gotten around to Her, The Act of Killing, Stories We Tell, Short Term 12, or Blue Jasmine, to name a few.

Here we go!

– AJ

PAUL: 10. WARM BODIES (dir. Jonathan Levine)

warmbodies

The zombie genre is by this point a bloated undead thing feasting on its own rotting flesh. But director Jonathan Levine (50/50) makes this adaptation of Isaac Marion’s novel fresh, fun, and full of life. Yes it’s a (very) thinly veiled Romeo and Juliet pastiche, but the two leads, neo-nerdhunk Nicholas Hoult and Australian beauty Teresa Palmer, are both engaging and committed. Hoult in particular gets praise for being monstrous and vulnerable, and for selling the cheesy-but-hilarious voiceover with nothing more than his eyes. Also, Rob Corddry as a zombie lamenting, “Bitches, man,” is the best comedic line delivery of the year.

AJ: 10. GIMME THE LOOT (dir. Adam Leon)

gimmetheloot

You walk out of Gimme the Loot immediately wanting to know what first-time writer-director Adam Leon is going to do next. His voice is sharp and fresh, chronicling a day in the life of two teenaged petty criminals in a way that feels authentic but never gritty. His Bronx streets are unvarnished, rife with economic and class divisions, but there’s so much damn heart. Newcomers Tashiana Washington and Ty Hickson give performances devoid of pomp or flash; they simply find the souls of these two aimless kids. They’re one of the most affecting screen duos in recent memory, in one of the biggest surprises of the year.

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