Listen to ‘Gobbledygeek’ Episode 345, “The X-Files: Season 9 (feat. Wesley Mead)”

Gobbledygeek episode 345, “The X-Files: Season 9 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.

The truth is out there, or so we’ve been told. As Paul, Arlo, and special British guest Wesley “Wezzo” Mead reach The X-Files season 9 and find the series’ original finale “The Truth,” they wonder if they should have just left it out there. Despite ostensibly having new leads in Doggett and Reyes, Chris Carter & Co. cling to Scully and Mulder–the former is a bored-looking recurring character, the latter is literally no longer on the show–harder than ever before. The gang discusses why Carter’s inability to let go of the show’s past hinders its present, how the character of Dana Scully is destroyed, and whether or not “The Truth” is truly one of the worst series finales in TV history. (Spoiler: it is.) Plus, Arlo and Paul get down with killer clowns with Terrifier and Deadpool 2.

Next: Arlo’s getting hitched! Gobbledygeek will return in June.

(Show notes for “The X-Files: Season 9.”)

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Listen to ‘Gobbledygeek’ Episode 344, “Wonder Woman by George Pérez: Vol. 1 (feat. Heather Wiley)”

Art from ‘Wonder Woman by George Pérez: Vol. 1″ by George Pérez, Bruce D. Patterson, and Tatjana Wood.

Gobbledygeek episode 344, “Wonder Woman by George Pérez: Vol. 1 (feat. Heather Wiley),” is available for listening or download right here and on iTunes here.

In the winding, physics-defying halls of Mount Olympus, the idea for the noble Amazon race was hatched among the gods. In the presumably plain, ordinary offices of DC Comics circa 1987, the idea to reboot one of their most iconic heroes was hashed out by George Pérez, Greg Potter, Len Wein, Karen Berger, and more. And on this typically long, rambling podcast, Paul and Arlo continue this year’s superheroic Four-Color Flashback by discussing Wonder Woman by George Pérez: Vol. 1, collecting the first 14 issues of Diana’s post-Crisis series. Heather Wiley joins them to discuss how Pérez revitalized the character by leaning hard into her mythological aspects; why it’s important that the series touches on uncomfortable subject matter; the minute details that make Pérez such a terrific artist; and why this run hasn’t lodged its place in the public consciousness alongside The Dark Knight Returns and Man of Steel. Plus, Heather fails to keep quiet about Hush, and Paul reads comics.

Next: we inch closer to oblivion with Wesley Mead, who joins us once more to discuss Chris Carter’s seminal sci-fi series The X-Files. This time? It’s season 9, the original final season. So. Yeah.

(Show notes for “Wonder Woman by George Pérez: Vol. 1.”)

Listen to ‘Gobbledygeek’ Episode 341, “A Quiet Place: STFU (feat. Nate Curtiss)”

Gobbledygeek episode 341, “A Quiet Place: STFU (feat. Nate Curtiss),” is available for listening or download right here and on iTunes here.

Shh. Keep it down or you’ll miss the latest episode of Gobbledygeek, wherein Paul and Arlo are joined by their pal Nate Curtiss for a discussion of John Krasinski’s horror-thriller A Quiet Place. The nearly wordless film, which makes extensive use of subtitled American Sign Language, presents a unique theatergoing experience; every gulp of soda and crunch of popcorn reverberates throughout the auditorium. The gang talks about their different theater experiences, and how the film reveals the true heart of an audience; why it’s important Krasinski cast deaf actress Millicent Simmonds; how Krasinski’s lack of horror experience proves to be a strength; and more. Plus, Paul digs on TV sci-fi: Final Space, Lost in Space, The Expanse, and Legion.

Next: this year’s superheroic Four-Color Flashback continues with a discussion of the original, non-Nazi-fied Captain America and the Falcon: Secret Empire. Wanna Cook? co-author (and Cap superfan) Ensley F. Guffey drops by.

(Show notes for “STFU.”)

Listen to ‘Gobbledygeek’ Episode 335, “Annihilation: For Those That Follow”

Gobbledygeek episode 335, “Annihilation: For Those That Follow,” is available for listening or download right here and on iTunes here.

Self-destruction. Division. Separation. Annihilation. These are the frivolous, lighthearted concerns of Alex Garland’s latest film, a mind-expanding sci-fi trip that finds Natalie Portman, Jennifer Jason Leigh, Tessa Thompson, Gina Rodriguez, and Tuva Novotny exploring “Area X,” a mutated piece of land encompassed by the full-on-double-rainbow-all-the-way that is the Shimmer. What’s going on here? What’s causing it? Does an answer even matter? Paul and Arlo dig into Annihilation’s writhing, metastasizing guts to discuss the beautiful, macabre work of production designer Matt Digby; the organic/electronic discomfit of Geoff Barrow and Ben Salisbury’s score; how Garland’s approach intentionally places the viewer at a distance; and that goddamn bear. Plus, Paul watched something called the Olympics; Arlo wants to help The Breadwinner make some dough; and Paul gives Arlo shit, what else is new.

Next: the episode we teased last week! For a musical Geek Challenge, Arlo must watch Kenn Anakin’s 1982 “classic” The Pirate Movie and Paul must endure Jacques Demy’s 1967 classic (no quotation marks necessary) The Young Girls of Rochefort.

(Show notes for “For Those That Follow.”)

Listen to ‘Gobbledygeek’ Episode 332, “The Greatest Showman: The Noblest Art (feat. Nate Curtiss)”

Gobbledygeek episode 332, “The Greatest Showman: The Noblest Art (feat. Nate Curtiss),” is available for listening or download right here and on iTunes here.

Come one, come all to The Greatest Showman, Michael Gracey’s musical retelling (or is that reshaping?) of the life of circus impresario P.T. Barnum. Paul and Arlo are joined by first-time guest Nate Curtiss, whose obsession with the film rivals Paul’s well-documented mania. The gang discusses the film’s message of tolerance and inclusion, why it’s a better musical than La La Land, and if it’s a problem that the filmmakers have refashioned Barnum as a beacon of progressivism. Plus, the Teenage Mutant Ninja Turtles are back (did they ever leave?), which is making some fans unhappy (aren’t they always?); and The Cloverfield Paradox was a surprise post-Super Bowl release on Netflix.

Next: last year’s Four-Color Flashback finally comes to a close, as Kenn Edwards joins us to discuss Y: The Last Man – Vol. 10: Whys and Wherefores.

(Show notes for “The Noblest Art.”)

Listen to ‘Gobbledygeek’ Episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff)”

Gobbledygeek episode 331, “The Shape of Water: Green Around the Gills (feat. Sarah Kosheff),” is available for listening or download right here and on iTunes here.

Come on in; the water’s fine. Sarah Kosheff joins Paul and Arlo to discuss Guillermo del Toro’s The Shape of Water, freshly nominated for 13 Academy Awards. Del Toro’s girl-meets-fish romance is one of last year’s most ravishing, visually sumptuous films, and the gang discusses why exactly that is. (Spoiler: they don’t all quite agree.) Topics of discussion include Sally Hawkins’ and Doug Jones’ tremendous wordless performances; Alexandre Desplat’s beautiful score, and how music is an important mode of communication in the film; the importance of color, specifically green; and how the film is, in del Toro’s own words, about the “beauty of the other.” Plus, Paul has joined MoviePass just in time for it to come under intense scrutiny.

Next: Paul just wouldn’t shut up about The Greatest Showman, so first-time guest Nathan Curtiss will be joining the boys to discuss the Hugh Jackman-starring musical.

(Show notes for “Green Around the Gills.”)

Listen to ‘Gobbledygeek’ Episode 330, “The X-Files: Season 7 (feat. Wesley Mead)”

Gobbledygeek episode 330, “The X-Files: Season 7 (feat. Wesley Mead),” is available for listening or download right here and on iTunes here.

No TV show is at its best seven seasons in, as Paul, Arlo, and special British guest Wesley “Wezzo” Mead can attest. The gang has just watched season 7 of Chris Carter’s seminal sci-fi series The X-Files, and they have questions: Why would anyone think that was a satisfying resolution to the Samantha Mulder storyline? Why is Dana Scully, one of the greatest female characters in all of genre fiction, consistently robbed of agency? Why is Chris Carter the worst writer on his own show? Why didn’t the show just end here? In addition to lamenting the season’s VR fantasmagorias and double scoops of Kathy Griffin, the gang does find praise for cast members going behind the camera and Vince Gilligan inching ever closer toward Breaking Bad. Plus, Paul continues to visit The Greatest Showman; Wezzo tells us of Comedians in Cars Getting Coffee, Somebody Feed Phil, and Inside No. 9; and gosh, politics are just AWFUL.

Next: Paul and Arlo dive into Guillermo del Toro’s The Shape of Water.

(Show notes for “The X-Files: Season 7.”)