spider-woman

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Listen to Gobbledygeek Episode 500 – Spider-Man: Across the Spider-Verse (feat. Eric Sipple)

Spider-Woman (voiced by Hailee Steinfeld) in Spider-Man: Across the Spider-Verse (2023), directed by Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson

Gobbledygeek episode 500, “Spider-Man: Across the Spider-Verse (feat. Eric Sipple),” is available for listening or download right here, on Spotify, and on Apple Podcasts.

500 episodes! Can you believe it? What incredibly special way will we choose to commemorate this event??? By, well, just having a regular episode discussing Spider-Man: Across the Spider-Verse with our good friend Eric Sipple. At one point this past summer, we weren’t sure another episode was ever going to happen, so this seems like a fitting celebration. The boys rave about Across the Spider-Verse’s layered meanings, innovative animation, strong emotion, and how much more fun and exciting the movie is than the comics are these days.

NEXT: who even knows, man.

BREAKDOWN

  • 00:00:55  –  Intro / Guest
  • 00:07:05  –  Shout out to Levi Williams!
  • 00:13:28  –  Spider-Man: Across the Spider-Verse
  • 02:29:18  –  Outro / Next

LINKS

MUSIC

  • “I’m Gonna Be (500 Miles)” by The Proclaimers, Sunshine On Leith (1988)
  • “Spiderwebs” by No Doubt, Tragic Kingdom (1995)

GOBBLEDYCARES

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Listen to Episode 201, “The Sandman: Vol. VII – Brief Lives (feat. Eric Sipple)”

sandman7

Art from ‘The Sandman’ #49 by Jill Thompson, Vince Locke, and Danny Vozzo.

Gobbledygeek episode 201, “The Sandman: Vol. VII – Brief Lives (feat. Eric Sipple),” is available for listening or download right here, and on iTunes here.

Change is important. It’s also a bitch. The Endless turn and face the strain as Paul and AJ continue their Four-Color Flashback exploration of Neil Gaiman’s The Sandman with Vol. VII: Brief Lives. Joining them by request (his request) is Broken Magic author and The Deli Counter of Justice cohort Eric Sipple. The gang discusses Dream and Delirium’s quest to find their brother, Morpheus growing as a person (or whatever he is), the brief stories and briefer lives embedded within the volume’s arc, and how nothing ever stays the same. Brief Lives is the pivotal installment of the series…everything after is fallout. Plus, Paul and Eric gush over Gwen Stacy’s resurgence in Edge of Spider-Verse.

Next: before Gobbledyween takes over the month of October, the boys are joined by Wanna Cook? authors K. Dale Koontz and Ensley F. Guffey to discuss the next Sandman book, Vol. VIII: Worlds’ End.

(Show notes for “The Sandman: Vol. VII – Brief Lives.”)

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Last Month’s Comics: ‘Ultimate Spider-Man’ Swings In and DC’s New 52 Roll Out

Welcome to Last Month’s Comics, in which I discuss, uh, last month’s comics. I get my comics in bi-monthly shipments from Discount Comic Book Service, and as such, I can be a little behind. So here we are. This feature started last month.

So, September 2011, what kind of havoc did you wreak? Let’s find out…

BEST RETURN TO FORM

Buffy the Vampire Slayer: Season 9 #1
Writer: Joss Whedon
Art: Georges Jeanty (pencils), Dexter Vines (inks), Michelle Madsen (colors)
Publisher: Dark Horse

To say that I was pleased upon finishing the first issue of the new “season” of Buffy is an understatement. Season 8 started off very well, with Buffy leading an army of 500 Slayers and trying to unmask the mysterious foe Twilight. And to tell the truth, it was great for much of its run, with an occasional stumble (vampires being outed to the public wasn’t handled with much finesse). But the last story arc, with the reveal of Angel as Twilight, cosmic sex, and general batshit insanity, was so damaging that even someone who considers Buffy the Vampire Slayer to be the greatest piece of entertainment ever given us by man had come to the conclusion that it might be for the best if Ms. Summers was finally laid to rest. The final issue of Season 8, though, was a dramatic 180 from the pace and structure of the last few issues leading up to it, and the Season 9 premiere continues in that vein. With Giles gone and magic vanquished, Buffy is depressed and adrift, working as a waitress and getting blackout drunk. It’s all done with Whedon’s razor-sharp wit and keen sense of twenty-something angst. The final “shock twist” is so humdrum and everyday it’s hilarious. In many ways, the metaphorical “party” is over for our Scoobies; now what? I can’t wait to find out.

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