Art from ‘Daredevil: Born Again’ by David Mazzucchelli & Christie Scheele.
Gobbledygeek episode 354, “Daredevil: Born Again (feat. Chance Mazzia),” is available for listening or download right here and on iTunes here.
Sight-impaired Jesus freak Matt Murdock finds himself in the crosshairs of rotund businessman Wilson Fisk in that most celebrated of Daredevil stories, Born Again. Paul and Arlo’s pal Chance Mazzia joins them for another superheroic Four-Color Flashback installment to discuss the Frank Miller/David Mazzucchelli classic. The gang discusses the tale’s obvious religious symbolism; Mazzucchelli’s fluid, detailed art; Miller’s Murdock-style descent into belligerent paranoia; and how Miller’s triple threat of Born Again, The Dark Knight Returns, and Batman: Year One changed superhero comics for better and worse. Plus, Cary Joji Fukanaga goes cuckoo with Netflix’s Maniac, and the gang pays their respects to late Batman artist Norm Breyfogle.
Next: at long last, Gobbledyween returns. The festival of terror kicks off with Robert Eggers’ new cult classic, 2015’s The Witch.
What if Superman was one of us? Just a slob like one of us? Just a stranger baling hay, trying to till his own farm? That’s part of the appeal of Alex Ross and Mark Waid’s Kingdom Come, the subject of our latest superheroic Four-Color Flashback–Ross’ painted artwork brings DC’s pantheon to vivid life. Of course, Superman isn’t one of us. He makes this clear when, after a decade in exile, he descends upon Metropolis to mete out cold hard justice to a new, irresponsible generation of heroes and villains. Kingdom Come was intended as a statement on the Xtreme anti-heroes of the ‘90s, and as its human protagonist Norman McKay witnesses the fantastic devastation around him, the book explores issues of faith and fascism. Paul and Arlo discuss how Ross and Waid’s tale holds up more than 20 years later, how it reconciles the heroes’ godlike power with fragile human will, why it may be Ross’ best work, and its nigh definitive portrait of DC’s Trinity. Plus, Arlo finishes his Disney marathon while catching Pokémon, and we tease a future discussion of Spider-Man PS4.
Next: we switch religions from DC to Marvel as our pal Chance Mazzia joins us to talk Frank Miller and David Mazzucchelli’s Daredevil: Born Again.
Gobbledygeek episode 352, “Thor Visionaries: Walter Simonson – Vol. 1,” is available for listening or download right here and on iTunes here.
Far beyond the fields we know, SyfyWire.com contributing editor Matthew Jackson joins Paul and Arlo for another installment of this year’s superheroic Four-Color Flashback. This time, they venture to the land of Asgard on their loyal steeds to discuss Thor Visionaries: Walter Simonson – Vol. 1. Simonson’s legendary run defined many cornerstones of Marvel’s Thor Odinson, from the deep ties to Norse mythology to the doing away of mortal identity Donald Blake. The gang discusses why his run is so definitive, Simonson’s vibrant art, his long-game storytelling, what makes Beta Ray Bill so cool, and the deadliness of McBurgers. Plus, The Big Bang Theory is finally ending, Veronica Mars is finally coming back, and Paul is Forged in Fire.
Next: we’ll be back! At some point! We’re working on a book, kids!
Gobbledygeek episode 350, “DC: The New Frontier (feat. Eric Sipple),” is available for listening or download right hereand on iTunes here.
For this month’s superheroic Four-Color Flashback installment, Paul and Arlo set out for lands unknown with the late, great Darwyn Cooke’s DC: The New Frontier. Cooke’s ambitious 2004 limited series bridges the gap between comics’ Golden Age and Silver Age, paying nostalgic tribute to the fictional heroes of that time while using the era’s form and style to comment on the day’s social and political ills. They’re joined on their voyage by The Avatar Returns co-host and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Cooke’s artwork, striking and cinematic in ways few others comics have achieved; how Cooke wisely keeps Superman, Wonder Woman, and Batman in the background to focus on new heroes like Green Lantern and the Flash; how the story of J’onn J’onzz, the Martian Manhunter, compares to that of African-American freedom fighter John Henry; the pretty good animated adaptation; and more. Plus, Eric has some personal news; SDCC happened, including a slew of trailers for the likes of Shazam, Aquaman, and more; and Nathan Fillion gets his Nathan Drake on in the Uncharted fan film.
Next: the end is out there. Wesley “Wezzo” Mead joins Paul and Arlo to talk The X-Files one last time, as the gang discusses the big screen continuation I Want to Believe and both revival seasons.
Art from ‘Spider-Man: Origin of the Hobgoblin’ by John Romita Jr., John Romita Sr., and Andy Yanchus.
Gobbledygeek episode 350, “Spider-Man: Origin of the Hobgoblin (feat. Jed Waters Keith),” is available for listening or download right here and on iTunes here.
Paul and Arlo continue to swing through this year’s superheroic Four-Color Flashback to discuss Spider-Man: Origin of the Hobgoblin, joined by FreakSugar managing editor Jed Waters Keith. This early ‘80s story, primarily written by Roger Stern and drawn by John Romita Jr., finds Peter Parker faced with the emergence of a horrific new villain in the grotesque figure of the Hobgoblin. Who is this masked man? Who knows! In true Parker fashion, Spidey tries to unmask Hobby while snapping pix for the Bugle and juggling his crazy love life. The gang discusses the convoluted behind-the-scenes drama surrounding the Hobgoblin’s identity, the evolution of JRJr, how Peter Parker is kind of a huge ladies’ man for being such a dork, and more. Plus, Paul attended this year’s Slayage conference, while Arlo and Jed are reading a whole mess o’ comics.
Gobbledygeek episode 346, “Mary Poppins / The Lure: Cartoon Penguins Eat Polish Mermaids, Don’t They?”, is available for listening or download right hereand on iTunes here.
Even with a spoonful of sugar, Paul finds this week’s Geek Challenge hard to stomach. You see, he has invited Arlo to watch Robert Stevenson’s delightful 1964 classic Mary Poppins, in which a magical Julie Andrews and an accented Dick Van Dyke dance their hearts out while unlocking the joy hidden within a stuffy banker. In return, Arlo has forced Paul to endure Agnieszka Smoczynska’s 2015 goth music video The Lure, in which there is little magic but plenty of pain, blood, and desperation as two virginal maneating mermaids come of age. They’re both musicals, they’re both about women, and…that’s about where the similarities end. Some men just like to watch the world burn, and Arlo appears to be one of them. Plus, lots of great trailers; Sense8, Legion, and Westworld broaden sci-fi TV’s horizons; Brian Michael Bendis’ time with Spider-Man comes to an end; and Arlo finally watched Guillermo del Toro’s debut feature Cronos.
Art from ‘Wonder Woman by George Pérez: Vol. 1″ by George Pérez, Bruce D. Patterson, and Tatjana Wood.
Gobbledygeek episode 344, “Wonder Woman by George Pérez: Vol. 1 (feat. Heather Wiley),” is available for listening or download right here and on iTunes here.
In the winding, physics-defying halls of Mount Olympus, the idea for the noble Amazon race was hatched among the gods. In the presumably plain, ordinary offices of DC Comics circa 1987, the idea to reboot one of their most iconic heroes was hashed out by George Pérez, Greg Potter, Len Wein, Karen Berger, and more. And on this typically long, rambling podcast, Paul and Arlo continue this year’s superheroic Four-Color Flashback by discussing Wonder Woman by George Pérez: Vol. 1, collecting the first 14 issues of Diana’s post-Crisis series. Heather Wiley joins them to discuss how Pérez revitalized the character by leaning hard into her mythological aspects; why it’s important that the series touches on uncomfortable subject matter; the minute details that make Pérez such a terrific artist; and why this run hasn’t lodged its place in the public consciousness alongside The Dark Knight Returns and Man of Steel. Plus, Heather fails to keep quiet about Hush, and Paul reads comics.
Next: we inch closer to oblivion with Wesley Mead, who joins us once more to discuss Chris Carter’s seminal sci-fi series The X-Files. This time? It’s season 9, the original final season. So. Yeah.