A Shakey’s Pizza in the wild.
Gobbledygeek episode 390, “Freegobble: Return to InfoPrison,” is available for listening or download right here and on iTunes here.
Ever have a job so shitty, it haunts you years (or even decades) down the line? Paul and Arlo have, and it’s called Gobbledygeek! Hey-o! In all seriousness (?), Paul recounts a traumatic experience at Shakey’s Pizza and Arlo is filled with regret over his time at the right-wing call center InfoCision. Cue flashbacks to high school football teams ravenous for wings and evil televangelists separating the faithful from what little coin they carry. Speaking of the latter, Arlo laments Kanye West’s evangelical turn on Jesus Is King. Elsewhere, Paul watches TV, including Succession, Primal, Daybreak, Watchmen, and Modern Love; and braves crowds of drunken revelers at shows for Bastille, Joywave, Trampled by Turtles, and The Avett Bros.
Total Run Time: 01:39:58
- 00:00:33 – Intro
- 00:01:12 – We are NOT sponsored by the Gobble meal delivery service
- 00:07:30 – Cold pizza and really, really hot wings
- 00:14:43 – Way too much about InfoCision
- 00:43:48 – Not nearly enough about some great new TV shows
- 00:54:08 – More than a little bit about Succession
- 01:07:20 – Unfortunately, we discuss the new Kanye album
- 01:15:30 – A Popeye’s chicken sandwich interlude
- 01:17:15 – Back to Kanye (and controversial comments on Beyoncé)
- 01:24:31 – Lastly, Paul’s been to some concerts
- 01:37:05 – Outro / Next
- “This Fucking Job” by Drive-By Truckers, The Big To-Do (2010)
- “Blastoffff” by Joywave, Blastoffff (Single) (2018)
Patrice Jennings and Billy Warlock in Brian Yuzna’s ‘Society’ (1989).
Gobbledygeek episode 338, “Gobbledyween: Society (feat. Greg Sahadachny),” is available for listening or download right here and on iTunes here.
Tale as old as time, song as old as rhyme: the rich have always sucked off the poor, and podcasting icon Greg Sahadachny has always joined Gobbledyween for the most ridiculous and outrageous pick of the season. This time, Paul and Arlo have chosen to torment Greg with Brian Yuzna’s 1989 satire Society, which is a dumb teen sex comedy until–well, until it isn’t. The gang discusses the film’s subtext and/or screaming neon text; Screaming Mad George’s “surrealistic makeup effects”; how the movie surprisingly rewards repeat viewings; and the film’s unlikely parallels to Lynch, Friedkin, Polanski, and a whole buncha other pretentious arthouse weirdos.
Next: Gobbledyween comes to a close as Broken Magic author Eric Sipple joins us to discuss Emil Ferris’ graphic novel My Favorite Thing Is Monsters.
Total Run Time: 01:14:44
- 00:00:45 – Intro
- 00:03:42 – Society
- 01:09:00 – Outro / Next
- “The Eton Boating Song (feat. Helen Moore)” by A.D.E.W., Mark Ryder & Phil Davies, Society (Motion Picture Soundtrack) (1989)
- “Society Is My Friend” by Kurt Vile, Smoke Ring for My Halo (2011)
Bill Paxton in Kathryn Bigelow’s ‘Near Dark’ (1987).
Gobbledygeek episode 387, “Gobbledyween: Near Dark (feat. Joseph Lewis),” is available for listening or download right here and on iTunes here.
It finally happened. After three long years of behind-the-scenes turmoil, Near Dark has made its way to Gobbledyween. A/V writer-director Joseph Lewis joins Paul and Arlo to discuss Kathryn Bigelow’s 1987 vampiric Western, which reimagined the creatures of the night as filthy, lowdown rednecks. The gang discusses the influence Near Dark has had on vampire fiction, the late great Bill Paxton’s immortal performance as Severen, the film’s surprisingly conservative stance on biological family, and how surprisingly difficult it is to get ahold of the movie these days.
Next: Gobbledyween lives in a society. Greg Sahadachny joins us to talk Brian Yuzna’s 1989 satire Society.
Total Run Time: 01:33:05
- 00:00:45 – Intro
- 00:03:44 – Near Dark
- 01:24:22 – Outro / Next
- “Fever” by The Cramps, Songs the Lord Taught Us (1980)
- “The Cowboy Rides Away” by George Strait, Does Fort Worth Ever Cross Your Mind (1984)
Anna Hutchinson, Chris Hemsworth, Kristen Connolly, Jesse Williams, and Fran Kranz in Drew Goddard’s ‘The Cabin in the Woods’ (2011).
Gobbledygeek episode 386, “Gobbledyween: The Cabin in the Woods,” is available for listening or download right here and on iTunes here.
Leaves are on the ground, blood is on the screen. It’s time once again for Gobbledyween, that most beloved of Gobbledygeek institutions–and one that has not reared its horrific head in full since 2015! All month long, Paul and Arlo will be discussing horror or horror-adjacent movies, starting with one they actually discussed seven years ago: Drew Goddard’s mega-meta 2011 genre critique The Cabin in the Woods. The boys reveal why they’re revisiting the film (hint: it involves sheer incompetence!), break down Goddard and co-writer/producer Joss Whedon’s refutation of horror stereotypes, compare Cabin’s prevailing sense of nihilism to the pragmatic hope on display in Buffy and Angel, and go nuts trying to name all the monsters we see on screen.
Next: the night, it’s deafening. A/V writer-director Joseph Lewis joins us to discuss–finally–Kathryn Bigelow’s 1987 vampire Western Near Dark.
Total Run Time: 01:43:03
- 00:00:35 – Intro
- 00:11:12 – The Cabin in the Woods
- 01:40:36 – Outro / Next
- “Horror Movies” by Dickie Goodman (1961)
- “Last” by Nine Inch Nails, Broken (1992)
Art from ‘Maus: A Survivor’s Tale’ by Art Spiegelman.
Gobbledygeek episode 384, “Four-Color Flashback: Maus: A Survivor’s Tale (feat. Eric Sipple),” is available for listening or download right here and on iTunes here.
For the latest installment of this year’s spandex-free Four-Color Flashback, Paul and Arlo tackle a big one: Art Spiegelman’s Maus: A Survivor’s Tale, still the only comic book ever to be awarded a Pulitzer Prize. Joining them to discuss Spiegelman’s harrowing account of his father Vladek’s time in the concentration camps of Nazi-occupied Poland–and Art’s own tense relationship with Vladek–is Broken Magic author and The Deli Counter of Justice co-creator Eric Sipple. The gang discusses Spiegelman’s provocative choice to depict Jews as mice, Nazis as cats, Poles as pigs, etc.; how Spiegelman follows in a tradition going all the way back to Mickey Mouse; and why it’s specifically disturbing to read Maus in 2019.
Next: Paul and Arlo will return.
(Show notes for “Four-Color Flashback: Maus: A Survivor’s Tale.”)
Gobbledygeek episode 383, “Salty Spiders,” is available for listening or download right here and on iTunes here.
The Amazon is burning and all anyone cares about is Spider-Man. Yay! Welcome to another exciting episode of Gobbledygeek! After nixing a fash-bashing Geek Challenge because Paul absolutely could not sit through three hours of The Sound of Music, he and Arlo decide to freestyle it and, well, all is not well! The world’s on fire, the government is imploding, and Spider-Man might not get to be an Avenger anymore! As for that last one, the boys have deeply conflicted feelings about their love for the character and the Marvel movies with their disdain for Disney the Evil Empire. Plus, Arlo still won’t watch all the things Paul says he should watch, and Marc Maron chimes in.
Next: for even more lighthearted family fun, the boys have asked their The Deli Counter of Justice co-editor Eric Sipple to join them for a discussion of Art Spiegelman’s Pulitzer Prize-winning, extremely depressing yet extremely essential, Maus: A Survivor’s Tale.
(Show notes for “Salty Spiders.”)
Art from ‘Hip Hop Family Tree’ by Ed Piskor.
Gobbledygeek episode 381, “Four-Color Flashback: Hip Hop Family Tree,” is a available for listening or download right here and on iTunes here.
Paul and Arlo are in the place to be, rapping about Ed Piskor’s Hip Hop Family Tree. For the latest Four-Color Flashback installment, our nerdy white heroes take on nerdy white cartoonist Piskor’s quartet (so far) of graphic novels discussing the history of hip hop culture. The boys discuss Piskor’s art, equally indebted to underground comix and superhero books of the ‘70s and ‘80s; how the physical editions beautifully replicate the aesthetics of the time period; how Piskor captures the rhythm and fluidity of DJs and breakdancers; and what in the hell he’s got against Russell “Rush” Simmons.
Next: Quentin Tarantino’s Once Upon a Time… in Hollywood is Family-friendly entertainment.
(Show notes for “Four-Color Flashback: Hip Hop Family Tree.”)