Gobbledygeek episode 361, “Spider-Man: Into the Spider-Verse (feat. Nate Curtiss),” is available for listening or download right here and on iTunes here.
Paul and Arlo swing into the Gobbledygeek season 9 finale with a discussion of the latest (and possibly greatest?) Spider-Man movie, Into the Spider-Verse. Popping in from an alternate dimension where “Curtis” has two s’s is their pal Nate Curtiss. The gang discusses how the movie nails the characterizations of Miles Morales and Peter Parker, its dazzling visuals, the film’s message of inclusion, and moviegoers’ animation biases. Plus, Paul and Arlo both make important announcements, and we discuss Miles in both the Spider-Man PS4 game and his own new comic book.
Next: if we’re legally allowed to say this, That’s all, folks! Happy holidays and we’ll see you next year for season 10!
Art from ‘The Vision’ by Gabriel Hernandez Walta and Jordie Bellaire.
Gobbledygeek episode 360, “Four-Color Flashback: The Vision (feat. Jed Waters Keith),” is available for listening or download right here and on iTunes here.
This year’s superheroic Four-Color Flashback comes to a close as the Visions of Virginia move into their house at 616 Hickory Branch Lane, Arlington, VA, 21301. In Tom King and Gabriel Hernandez Walta’s The Vision, the synthezoid Avenger creates his own family in an effort to achieve normalcy–and watches as his efforts fail, early and often. Joining Paul and Arlo to discuss one of the decade’s best comics is FreakSugar contributing editor Jed Waters Keith. The gang discusses the foreboding on every page; King’s watchmaker precision; Walta’s subtle emotional modulations; and how by denying his emotions and refusing to learn from his mistakes, the Vision is as human as any of us. Plus, Arlo still hasn’t gone on a poop cruise; and Paul wants to Die while reading Winter Soldier.
Next month: this bizarre roller coaster ride of a season ends with a discussion of Spider-Man: Into the Spider-Verse.
Art from ‘Green Arrow: The Longbow Hunters’ by Mike Grell.
Gobbledygeek episode 359, “Green Arrow: The Longbow Hunters,” is available for listening or download right here and on iTunes here.
Ollie, draw back your bow and let your arrow go straight to that killer’s heart. For the penultimate Four-Color Flashback of the year, and the final DC installment of our Age of Heroes project, Paul and Arlo head to the asphalt jungle of Seattle as Oliver Queen stalks his street punk prey in Mike Grell’s 1987 miniseries Green Arrow: The Longbow Hunters. As was common practice in the ‘80s, Grell reimagined the character of Green Arrow as grimmer, grittier, and existing in a real world full of boobs and blood. The boys discuss why Grell, by and large, does not really pull this off; the two really interesting moments of subversion he does manage; his stellar, sketchy, detailed artwork; and Dinah Lance’s near-fridging. Plus, the boys honor Stan Lee; Arlo cooks up some groovy spaghetti with the new White Album set; Paul needs a Bodyguard; and things get horrifying with The Immortal Hulk and Outer Darkness.
Next: happy Thanksgiving! Paul and Arlo return next month to close out the Age of Heroes with Tom King and Gabriel Hernandez Walta’s The Vision, joined by their pal Jed Waters Keith.
Gobbledygeek episode 358, “The Brunette Wore Mauve,” is available for listening or download right here and on iTunes here.
Jazz hands, everyone! It’s time for a new episode of the new era of Gobbledygeek, which is either painfully self-indulgent or–well, there is no other option, BUT. Paul and Arlo freestyle about why they’re freestyling, discuss how perspectives on art change, extoll the complicated virtues of Miles Davis and Queen, and become flummoxed at the hyper-realistic minutiae of Red Dead Redemption 2.
Next: back to your regularly scheduled podcast with a Four-Color Flashback discussion of Green Arrow: The Longbow Hunters.
Gobbledygeek episode 356, “Gobbledyween: Creepshow (feat. Greg Sahadachny),” is available for listening or download right here and on iTunes here.
Gobbledyween returns! Again! Greg Sahadachny, once and future host of The Debatable Podcast, returns! Again! To close out our truncated season of horror happenings, Paul, Arlo, and Greg flip ahead to George A. Romero and Stephen King’s kooky 1982 splash page Creepshow. Indebted to old EC horror comics, Creepshow has become a cult classic in its own right, as silly and lowbrow as it is reverent and artful. The gang discusses why the meeting of these two horror masters may not be what you would expect; the underrated craft of Romero’s filmmaking; how tough it is to view Leslie Nielsen as anything other than the Naked Gun guy these days; and Ted Danson’s head in a tank. Plus, Paul travels to the fantastical world of Hilda; Arlo checks into The Haunting of Hill House; and forgive us, Carpenter, for we have synth-ed.
Gobbledygeek episode 355, “Gobbledyween: The Witch (feat. Matthew Jackson),” is available for listening or download right here and on iTunes here.
Leaves are on the ground, blood is on the silver screen. It’s time for Gobbledyween. Paul and Arlo’s beloved horror movie festival returns for the first time since 2015, and their opening selection debuted that same year: Robert Eggers’ new cult classic The Witch. Emerging from the wood to terrorize the boys is SyfyWire.com contributing editor Matthew Jackson. The gang discusses the rural dread Eggers exploits, if the film can be read as an empowerment tale, if anything on the screen actually happens, and more. Plus, Paul grooves to synthwave, Jon Favreau gears up for The Mandalorian, Arlo worships Nicolas Cage in Panos Cosmatos’ Mandy, and Spider-Ham makes his screen debut in the new Spider-Man: Into the Spider-Verse trailer.
Next: Gobbledyween continues as filmmaker Jess Byard joins us to take a bite out of Kathryn Bigelow’s Near Dark.
What if Superman was one of us? Just a slob like one of us? Just a stranger baling hay, trying to till his own farm? That’s part of the appeal of Alex Ross and Mark Waid’s Kingdom Come, the subject of our latest superheroic Four-Color Flashback–Ross’ painted artwork brings DC’s pantheon to vivid life. Of course, Superman isn’t one of us. He makes this clear when, after a decade in exile, he descends upon Metropolis to mete out cold hard justice to a new, irresponsible generation of heroes and villains. Kingdom Come was intended as a statement on the Xtreme anti-heroes of the ‘90s, and as its human protagonist Norman McKay witnesses the fantastic devastation around him, the book explores issues of faith and fascism. Paul and Arlo discuss how Ross and Waid’s tale holds up more than 20 years later, how it reconciles the heroes’ godlike power with fragile human will, why it may be Ross’ best work, and its nigh definitive portrait of DC’s Trinity. Plus, Arlo finishes his Disney marathon while catching Pokémon, and we tease a future discussion of Spider-Man PS4.
Next: we switch religions from DC to Marvel as our pal Chance Mazzia joins us to talk Frank Miller and David Mazzucchelli’s Daredevil: Born Again.